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Amy Lee Talks ‘The Bitter Truth’ With Bloody Disgusting’s Boo Crew [Podcast]

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If you’re a fan of Evanescence, you’re probably aware that their newest album, The Bitter Truth is out now! It’s been a long four years since the band’s last album, Synthesis, and to celebrate the release, Amy Lee sat down with Bloody Disgusting’s The Boo Crew!

Lee talked about her true paranormal encounters and the meaningful moments and inspirations behind the band’s newest album.

Since 2017, Lee has been working on aspects of The Bitter Truth. “We worked on this album for a long time. Some of these songs are a decade old…” Lee explained that each song had come a long way, being rewritten, expanded, and finally produced. “Over the past three years, in particular, just focusing on writing material that could go into this vague idea that’d just started taking shape. Then in 2020, that was our whole life…”

Lee spent much of the pandemic developing and refining songs, before finally bringing them to the studio in January of this year. “I’m a total perfectionist when it comes to the holes in lyrics. I spent the last couple of months, honestly, banging my head against the wall, frustrated because it was time to finish things up, and everyone else was done with their parts… and I’m like, ‘It’s just not quite there.’” Lee’s perseverance would pay off, as the album has received plenty of praise, with critics enjoying Evanescence’s return to form.

‘The Bitter Truth’ is a deeply personal album, following Amy’s journey out of grief after her brother’s death in 2018. “It’s hard when you first experience a tragedy, you’re numb, you just wanna go to sleep and not wake up. Over time, you have to start to put your thoughts together and find a way to make it make you strong, or it kills you. And I don’t mean make you hard, I don’t mean make you bitter. For me, it’s been more about living better for those I’ve lost. Being the person they loved more. ”

The album opens with the song Artifact/The Truth, a deeply moving song, with masterful instrumentals. Lee explains “The intro, that very first part, is a dedication to my brother. I recorded Artifact in my hotel, at 3 o’clock in the morning on my laptop, just singing into the computer mic. That distortion and degraded quality it has is just real. I never intended it’d go on the album like that, I sort of thought that’d be a fun piece to do for real later.” But when Lee got to the studio, her producer Nick Raskulinecz wasn’t sure they could recreate the strong emotions behind the song. He encouraged the band to use the audio Lee had already recorded. Lee couldn’t be happier with the final result; mixing the actual artifact with the band’s well-produced sound created a unique listening experience.

Listen to Amy Lee’s full interview with The Boo Crew below!

Showrunner of the "SCP Archives" | Compulsive creator, and infrequent sleeper | https://twitter.com/PacificObadiah

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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