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The Inexcusable Transphobia of Controversial ‘Incident in a Ghostland’ [Horror Queers Podcast]

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Shut Up, Pascal!

May continues to be a month of extremes. Trace and I started the month with Jane Schoenbrun’s microbudget creepypasta film We’re All Going To The World’s Fair, followed by our usual Friday the 13th film,  Friday the 13: Jason Lives. Then last week we headed Down Under for notorious kangaroo-killing Ozploitation flick, Wake in Fright. Now we’re tackling notorious French director Pascal Laugier’s North American film Incident in a Ghostland (2018) which has no shortage of controversies.

In the film, a family of three – Colleen (Mylène Farmer), older sister Vera (Taylor Hickson) and dreamy younger sister Beth (Emilia Jones) – move into a deceased family member’s home that is infested with creepy dolls. Almost immediately they are savagely attacked by a Fat Man (Rob Archer) and Candy Truck Woman (male actor Kevin Powell). Years later, Beth (Crystal Reed) – now a successful horror author – reunites with her mother and sister at the house where the nightmare really begins…

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 179 – Incident in a Ghostland (2018) feat. Xero Gravity

This week we’re covering our second Pascal Laugier film, 2018’s Incident in a Ghostland. C/W: misogyny, transphobia.
 
Along for the ride is Blerdy Massacre co-host Xero Gravity, who joins us in getting increasingly aggravated with the Martyrs director the more we learn what he thinks he’s doing with this film, which includes a lot of teen female abuse, a caricature trans woman villain and unabashed love for HP Lovecraft?!
 
We’re more forgiving of the twist, as well as the performances of Emilia Jones and Taylor Hickson (whose disfigurement on the film’s set is another controversy Trace unpacks).
 

Plus: TCM-meets-giallo production design, a sly police subversion, a groan-worthy typewriter and dolls everywhere.


Cross out Incident in a Ghostland!

Coming up on Wednesday: We’re sticking with grim material as we dive into Álex de la Iglesia’s 1997 exploitation/crime film, Perdita Durango (aka Dance with the Devil). C/W: rape

P.S. Subscribe to our Patreon for more than 180 hours of additional content! This month, we’re discussing horror movies that make us cry, Shudder’s new zombie(ish) movie The Sadness, the remake of Firestarter, Alex Garland’s Men and an audio commentary on 28 Weeks Later to commemorate its 15th anniversary!

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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Podcasts

There’s Something Queer About 1996’s ‘Independence Day’ [Horror Queers Podcast]

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Independence Day podcast

On the DL.

After spending June on explicitly queer texts like Emerald Fennell’s Saltburn (listen) and William Castle’s Homicidal (listen), it’s only appropriate that Horror Queers celebrate the American holiday with a blockbuster film with a not-so-secret gay connection.

In Independence Day, an unlikely group of people come together when the human race faces extinction from a threatening alien race. After spaceships destroy every major city, pilot Steven Hiller (Will Smith) must team up with secret tech genius David Levinson (Jeff Goldblum), as well as the US President (Bill Pullman), to execute a daring plan to save the planet from annihilation.

Along for the ride are the two saviors’ romantic partners – WH Communications Director Constance (Margaret Colin) and stripper Jasmine (Vivica A. Fox) – plus eccentric scientist Dr. Okun (Brent Spiner), who is at the center of the film’s most horrific set piece.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon Music, and RSS.


Episode 393: Independence Day (1996)

Today, we celebrate our Independence Day…courtesy of gay German director Roland Emmerich.

As the summer blockbuster celebrates its 30th anniversary, we’re looking back on an alien disaster film that scared young Trace (thanks to that alien autopsy scene) and turned Will Smith into a star.

Plus: the death that upsets the most; bemoaning Vivica A. Fox’s career; pondering what could have been with the casting; why Smith’s bravado and the film’s patriotism doesn’t always work for Joe; and plenty of riffing on the atrocious sequel.


Cross out Independence Day!

Coming Up Next: We’re retreating to the country for some questionable therapy courtesy of Joe Dante’s 1981 classic,  The Howling!

P.S. Subscribe to our Patreon for over 503 hours of Patreon content including this month’s new episodes on Terminator 2: Judgment Day, Forbidden Fruits, Saccharine, Evil Dead Burn, an audio commentary on the utterly ridiculous sequel Howling II: Your Sister Is A Werewolf (1985), and the conclusion of our Requel Tier coverage of AMC’s The Vampire Lestat.

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