Movies
Death Race (remake)
“Even though DEATH RACE is pretty bloody, and had some cool moments, the overall experience is mind numbing and a little depressing. It’s sad to think that this is Anderson’s best effort since 2002, and that it’s still as bad as ever.”
With the exception of EVENT HORIZON – and maybe RESIDENT EVIL – director Paul W.S. Anderson has quickly become labeled by horror fans as one of the worst A-list directors in Hollywood. Quickly jumping in the trend of remakes, Anderson has popped out his version of the classic 1975 film, DEATH RACE 2000, entitled simply DEATH RACE. While remaking a film over 30 years old with new technologies seems like not only an obvious and inherently good idea, but it also seemed like a no-brainer. Any chump should have been able to deliver an action-packed, power punch of adrenaline… but we’re not talking about anyone, we’re talking about Paul W.S. Anderson.
In the remake, ex-con Jensen Ames (Jason Statham) is forced by the warden of a notorious prison (Joan Allen) to compete in our post-industrial world’s most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory. Jensen is taking over for the deceased Frankenstein, the most popular of all racing personalities, by wearing the mask and parading around as the crowd fav. The deal, win the final game and be free… or so he thinks.
The main problem with the film is immediately obvious as instead of saving the Frankenstein twist for the finale (like in the original), we learn almost immediately that Jason Statham is in fact the NEW Frankenstein. All of the mystery is removed instantaneously from the remake and it becomes a lowbrow action movie with little to no thought involved. It’s even worse when Hennessey (Allen) continually boast about her viewers and numbers, which make it unclear “why” she cares so much about Frankenstein continuing on. It’s also frustrating that there’s no reference to the US government on how or why this even is taking place (on National television none-the-less).
It’s obvious that DEATH RACE isn’t supposed to be a “thinker” or a “slow burn”, so in all honesty all the film needed was a few awesome action scenes and some boobs (like a true Corman film), then it would be at least redeemable. But Anderson even fails to deliver the promise of an over-the-top action film as he loses every moment in his f*cking goddamn annoying camerawork and hyper editing. It’s nearly impossible to see what the heck is going on during the race sequences and it’s incredibly frustrating. The camera zooms in and out, and then slams left and right, shacking uncontrollably. Watching DEATH RACE is like being on the Tea Cups ride at Disney; you think you’re having fun, but after vomiting all over the place you realize that you have just been cheated out of a bunch of time, and now the rest of the day you’re going to be nauseous – and maybe the nausea is caused by knowing you just dropped $12 on this heap of moving images.
Even though DEATH RACE is pretty bloody, and had some cool moments, the overall experience is mind numbing and a little depressing. It’s sad to think that this is Anderson’s best effort since 2002, and that it’s still as bad as ever. It’s recommended that you completely avoid this race and take a trip back to 1975 and revisit a well-crafted classic like DEATH RACE 2000. If you’re looking for that thoughtless, quick-cut, energy jolt of a film, you’ll get what you’re looking for in FAST AND THE FURIOUS, or one of it’s sequels (all three are better).
A contemporary reimagining of H.P. Lovecraft’s short story Herbert West: Reanimator is on the way, and Deadline has unveiled the first look at the new Herbert West and the pathologist drawn to his orbit.
Adam Simon (The Haunting in Connecticut, “Salem”) and Tim Metcalfe (The Haunting in Connecticut, Kalifornia) penned the script. The original screenplay and storyline come from Jade Sandberg Wallace.
Michael Grossman (“The Originals”, “Pretty Little Liars”) directs.
The new images introduce star Joseph Morgan (“Vampire Diaries“), who plays “brilliant surgeon and scientist Herbert West, who is obsessed with creating a serum to reanimate the dead.” Katie Cassidy (Speed Demon) stars opposite as the pathologist with a troubled past who joins his efforts.
Together, they prove that conquering death may be the ultimate sin against life itself.
The film’s official synopsis: “As a child, Herbert West watches his father Peter reanimate his dead mother Judith in a secret basement lab — only for Judith to mortally wound Peter and nearly kill Herbert before Peter shoots her. The trauma leaves its mark on Herbert, but so does one final image: his mother’s finger, twitching after death. Thirty years later, Herbert West is a brilliant, secretive surgeon still chasing his father’s obsession.
“Pathologist Kate Locke arrives in town and is drawn into his orbit — first through a spark at a hospital fundraiser, then through his secret lab, where he reveals a serum capable of reanimating severed tissue. Kate, hiding a dark past of her own, is thrilled rather than horrified, and moves into West’s mansion to work alongside him. Their early experiments on a cadaver succeed only briefly. West concludes that dead tissue is the problem — they need something fresher.”
Supporting cast includes Scott Aiello, Ira J Amyx, Randall Newsome, Emma Reinagal, James D. Bryce, Kathryn A Bentley, Jack Lancaster, Amy Holland Pennell, John Pierson, Mindy Shaw, Eric Dean White, Tristan Wilder Hallet, Adrienne Lamping, Aaron Crippen, and Drew Patterson.
Makeup artist Jeff Lewis (“Star Trek: Voyager,” “Star Trek: Enterprise”) and cousin Roger Lewis are heading the production via their newly established Woodlake Entertainment.
Lovecraft’s short story, first serialized in Home Brew magazine in 1922, is the first among his works to mention the fictional Miskatonic University. It was most famously adapted into a 1985 horror movie from Stuart Gordon, starring Jeffrey Combs as Herbert West.
Herbert West: Reanimator is set in Alton, Illinois, where production is now underway.
Herbert West: Reanimator. Photo credit: Matt Lief Anderson
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