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[Review] Quentin Tarantino Presents ‘Hell Ride’

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Last night I caught the world premiere of the Quentin Tarantino-produced thriller, HELL RIDE, which was one of the most crowded screenings thus far at the Sundance Film Festival. Fans were in high spirits and paying over $60 just to get in and catch a glimpse of the legendary director. When the film finally came to an end the theater erupted into applause infuriating me beyond belief… it sickens me that people will like a movie JUST because Tarantino’s name is on it. I swear to God that if there was a movie called “Quentin Tarantino presents… Watch Grass Grow,” and the entire film was just footage of grass flowing in the wind with spaghetti western music behind it, people would applaud it. It’s too bad I have to be the one to stand up and say something… HELL RIDE is an atrocity, and is guaranteed to make my worst films of 2008 list.

In the film written and directed by Larry Bishop, Bishop plays bad-ass biker Pistolero, (named after the original title for Robert Rodriguez’s “Desperado”) who along with his brother The Gent (Michael Madsen) and Comanche (Eric Balfour), hit the road to avenge the death of Pistolero’s old lady Cherokee Kisum (Julia Jones), by the 666ers a rival motorcycle gang lead by Billy Wings (Vinnie Jones).

HELL RIDE is terrible – it’s so bad it’s beyond comprehension. At the top of the list of reasons why is the screenplay, which is a jumbled mess of nothing. For an entire hour and a half bikers talk, bikers talk more, bikers point guns at each other, bikers have sex, bikers then talk some more and then we get to watch one of the most anticlimactic finales in a long time. I’d say it’s safe to say that about 30% of the movie features Bishop either flirting with a girl or having sex with a girl or even talking about having sex with a girl; the other 70% of the film is pretty much chatter. In HELL RIDE all of the characters talk in circles repeating the same dialogue over and over again. There are even a few sequences that are JAMMED with silly puns, such as hilarious references to the number 6 and a five-minute conversation about “fire”. Think of every single pun you can possibly imagine and then picture that in reference to sex and imagine watching this. I understand that Larry Bishop’s film was produced by Quentin Tarantino, but that doesn’t mean you have to BE HIM. Instead of trying to find his own voice Bishop comes off like one of the worst Tarantino imitators in the history of the universe.

Furthermore, there is zero character development and new characters are introduced for no apparent reason. I didn’t care about a single person in this film and couldn’t even tell who was good and who was bad, if it even mattered. There are no payoffs, and the finale is extremely weak. The plot twists revolving around the characters made no sense because we couldn’t tell who was in which gang and who was supposed to be loyal to whom – it was a god-awful mess.

Sure the film was loaded with super hot chicks, but the only reason they were there was to try and make HELL RIDE “hip and cool,” which it’s not.

In terms of quality, the film looked horrendous, like it was shot on HD and they attempted to clean it up in post. Many scenes were too bright and the color appeared to be off as every character looked red. Sure the score was badass (like that was a big surprise) and some of the editing was quite polished, but you all know what they say about polishing a turd?

Adding more fuel to the fire (no pun intended), there’s a scene where Balfour opens a safety deposit box, he makes a face and we never find out what’s in it. This was Bishop’s homage to PULP FICTION and more proof that he was trying to emulate a legend. So what exactly was in the box? My hope is that it’s the only print of the film and it’ll be buried again so it hopefully never again sees the light of day.

I don’t care if HELL RIDE is referential or an homage to classic ‘70s flicks, and I don’t care who produced it, a bad movie is a bad movie. I like to be entertained when I go to a cinema, and if I wanted to watch a bunch of old people having a mid-life crisis I’d go see THE BUCKET LIST, which is the last on my list of films to see this year. HELL RIDE is one of the most incoherent, boring, useless films I have ever seen and I pray to God that you guys never subject yourself to it.

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Christopher Nolan Says He’s “Always Been Interested” in Directing a Horror Movie

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Pictured: 'The Odyssey'

Two things that have proven to be pretty dependable at the box office in recent years are horror movies and Christopher Nolan movies. With Nolan’s The Odyssey absolutely dominating the box office this past weekend, many fans of Nolan’s work have been left hungry for a Nolan-directed horror movie. After all, The Odyssey does whet the appetite for Nolan nightmare fuel.

Christopher Nolan has brushed up against the horror genre in the past with 2002 thriller Insomnia, but does he have any interest in someday making a full-on horror movie?

Nolan tells the Empire Podcast in a new chat, “I’ve always been interested in doing a horror film.”

“But horror is most successful when the conceptual framework of whatever the story is is just so undeniable. I think there are very few really great horror movies,” Nolan continues.

So why hasn’t Christopher Nolan directed a horror movie yet?

He explains to Empire, “I’ve never clicked with a particular idea or concept that worked for me. I love the genre. Of all genres, it’s the most visceral. Where the direct response to the audience is the most important. That is to say, you’re trying to make people literally feel something in their bones about what’s going on on-screen.

Nolan calls horror “a genre in which experimentation is demanded.” He explains, “I go to see a lot of horror films with my kids these days, and you’ll see things in the first half an hour, 45 minutes of any horror film that you’d never see in another genre. Risks that are taken. Dangerous approaches to things. Admittedly, a lot of movies can’t sustain that to the end. But in the horror genre, that kind of innovation is not just respected – it’s really demanded.”

Christopher Nolan’s The Odyssey is now playing in theaters.

Cillian Murphy as Scarecrow in Christopher Nolan’s ‘The Dark Knight’ (2008)

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