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The Stepfather

The Stepfather is a scary film, because it’s really based in a world most people walk around in everyday—suburbia. Blake is just another mild-mannered dad who spends his evenings down in the basement building birdhouses. He just wants to keep his family together. The problem is, Jerry is a psychopath.”

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All Jerry Blake (Terry O’Quinn) wanted was the perfect life. The perfect wife, the perfect kids, the perfect home in the perfect neighborhood. All Jerry wanted was the “American Dream”. But people aren’t picture perfect and relationships are messy and teenage daughters get into fights at school and make out with boys on the front porch. Most parents would take those kinds of hurdles and chalk them up to the sporadic nature of existence. But not Jerry. Those kind of behaviors “disappoint” Jerry. And when Jerry is disappointed he expresses that disappointment with the business-end of a gleaming stainless steel blade…or maybe a nearby 2×4.

The Stepfather is a scary film, because it’s really based in a world most people walk around in everyday—suburbia. Blake is just another mild-mannered dad who spends his evenings down in the basement building birdhouses. He just wants to keep his family together. The problem is, Jerry is a psychopath. The second anything pushes Jerry outside his comfort zone of Leave it to Beaver normality, he skips right past the guard gate of sanity and dances his way into the loony bin.

When Don Westlake (The Grifters) wrote the screenplay for this 1987 film over a decade earlier, he based it on the story of John List, a New Jersey man who, in 1971, after losing his accounting job, meticulously set-up a new life for himself before returning home one day to murder his entire family. List was so successful in pulling off this heinous crime it would be a month before anyone discovered what he had done and 18-years before he was ever caught—thanks to a profile on Americas Most Wanted.

Released 2-years before List was even caught, The Stepfather is not a subtle film. It opens with Blake, covered in blood, cutting his hair, trimming his beard, applying contact lenses and changing his clothes. When the new fresh faced Blake descends from the upstairs bathroom, the audience is chilled to witness the terror he inflicted on his previous “family”. The walls are painted with blood, the living room is a shambles and the dead body of a child is lying in a pool of gore with a stuffed animal just inches out of reach. Blake is the bad guy and make no mistake about it, O’Quinn plays him with the masterful and malicious charm of Ted Bundy. He looks so serenely perfect on the outside but if you look closer you can almost see the world crumbling in his eyes.

Joseph Ruben’s (Sleeping with the Enemy) film might not seem that shocking today. Something of a sad comment on a society that has seen more than its share of parents and husbands and wives kill off their kids. But the film’s opening is still unflinchingly raw and unnerving even if the rest of the film suffers from its age and the somewhat contrived nature of its plot devices.

80’s horror princess Jill Schoelen (Popcorn, Cutting Class, Phantom of the Opera) is young and fun in her role as Stephanie Maine—the stepdaughter with a knack for getting into trouble and the only one that suspects that Blake is really a serial killer. Ex-Charlie’s Angel Shelly Hack does an acceptably oblivious job as Stephanie’s mother Susan, but this is really Terry O’Quinn’s film. So much so that, even though it appears in the film frames that Stephanie has killed the killer, O’Quinn managed to reprise his role just two years later to terrorize Meg Foster in The Stepfather 2.

With the remake imminent, Shout Factory has seen fit to re-release The Stepfather in a deluxe special edition DVD featuring a pretty comprehensive documentary with interviews from director Ruben and star Schoelen. I know it was too much to ask for O’Quinn to make an appearance in the supplements, but it’s still a shame he’s not around. It would have been nice to hear his take on what was essentially his first major starring role–despite the fact that he’d already been in some 20 other films. The disc also features audio commentary by Ruben.

With the re-release of The Stepfather (and The Stepfather 2 courtesy of Synapse) we’re just that much closer to getting the trilogy out on DVD. I hope you’re listening Lionsgate. You better get Part 3 out ASAP. After all…you wouldn’t want to “disappoint” the film’s fan base. You know what happens when you disappoint daddy!

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Movies

Friday, June 26 – These 4 New Horror Movies Released at Home Today

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strung review
Pictured: 'Strung'

This week kicked off with the release of hippo horror movie Hungry at home, and four more horror movies have arrived for at-home viewing as we head into the final weekend of June.

Here are the new horror movies that released on Friday, June 26, 2026!


The Halloween season can no longer be contained to the months of September and October, with “Summerween” becoming a thing in recent years. Essentially, it allows for Halloween to bleed into the warmer Summer months, and the first ever Summerween movie has arrived.

The Asylum released Summerween onto Digital outlets today.

In the film from writer/director Ryan Ebert, “On Summerween, a former circus clown escapes a mental institution to return to his abandoned mansion and hunt the teens partying there.”

Cole Chapleski, Chase Breithoff, Logan Roe, Sophia Sabol, and Clint Morrison star.

Director Ryan Ebert is the man behind a string of recent indie horrors we’ve covered, including Shark Side of the Moon, The Jolly Monkey, Jurassic Reborn, and Predator: Wastelands.


Avalon Fast interview Camp

A witchy coming-of-age story from Dark Sky Films, Camp is now playing in select theaters.

Check your local listings to find a theater near you.

Camp is from writer-director Avalon Fast (HoneycombThe Serpent’s Skin).

“Emily is the root cause of two devastating tragedies very early in her life, and she feels the weight of these accidents as though cursed. At her father’s suggestion, she takes a position at a summer camp for troubled youth to ease her guilt. When Emily arrives, she is welcomed by the other counselors, who accept her as she is and surround her with peace and forgiveness.

“As Emily begins to believe in a new kind of life, she starts to hear a voice whispering from deep in the woods — one that urges her to go home, and one that may be impossible to ignore.”

The film stars Zola Grimmer in her screen debut alongside Alice WordsworthCherry MooreLea Rose Sebastianis (Castration Movie Part 1 & 2, In A Violent Nature), Ella ReeceAustyn Van de Kamp (This Too Shall Pass), Sophie Bawks-Smith (Honeycomb), Izza Jarvis, and Aiden Laudersmith.


Producers Tyler Perry and Jason Blum have joined forces for Peacock Original Strung.

The film is now streaming only on Peacock.

“A talented violinist takes a prestigious job as a music tutor for the gifted daughter of an influential and enigmatic family. As she becomes entangled in their opulent world, unsettling secrets begin to surface, forcing her to question her safety, her dreams, and even her sanity.”

Malcolm D. Lee (Scary Movie 5, Space Jam: A New Legacy) directs from a script written by Alan B. McElroy (Wrong Turn, Halloween 4: The Return of Michael Myers).

Chloe Bailey (“Swarm“), Lynn Whitfield (Jaws: The Revenge), Lucien Laviscount (“Scream Queens”), Anna Diop (Us), Coco Jones (Vampires vs. the Bronx), Langley Kirkwood (“Banshee”), and Romy Woods star in Peacock’s Strung.


Produced by Diablo Codydirector Meredith Alloway’s Forbidden Fruits brought a new coven of witches to the big screen earlier this year, and it’s now streaming on Shudder.

Lola Tung (“The Summer I Turned Pretty”), Victoria Pedretti (“The Haunting of Hill House”), Alexandra Shipp (Tragedy Girls), Gabrielle Union (Breaking In), and Emma Chamberlain star in Forbidden Fruits, released by IFC and Shudder.

Free Eden employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours. But when new hire Pumpkin challenges the group’s ‘girl boss’ ways, the women are forced to face their own poisons or succumb to a bloody fate. 

Forbidden Fruits grabbed me by the neck the very first time I read it,” Diablo Cody said. “It’s one of the craziest, most creative, beautifully bonkers projects I’ve ever worked on.”

Meagan Navarro writes in her review for Bloody Disgusting, “Forbidden Fruits may not necessarily forge new terrain in the teen satire space, but Alloway brings so much style and energy to her well-cast single-location stage play adaptation for the Gen Z crowd.”

The film is an adaptation of playwright Lily Houghton’s stage play Of the Women Came the Beginning of Sin and Through Her We All Die. Alloway and Houghton co-adapted.


This week’s new release roundups are presented by HUNGRY.

All aboard the swamp tour from hell – this hippo isn’t playing games…

HUNGRY is now available on Digital. Watch it now!

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