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The Life and Death of a Porno Gang

“If you want shocking, Porno Gang does in fact deliver, but unfortunately it becomes proven that Mladen Djordjevic doesn’t quite have the full set of balls he proclaims to carry. For that, check out A Serbian Film.”

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While all you guys ever hear about is A Serbian Film, another shocker out of Serbia premiered at FanTasia entitled The Life and Death of a Porno Gang. Mladen Djordjevic’s transgressive feature tells the story of a pair of lovebirds who, in the attempt to do something liberating, find themselves traveling down a dark path in order to survive.

The duo start “The Porno Gang”, a traveling road show featuring all sorts of debauchery from sodomy to animal f*cking***. Yes, you heard me right. It’s a liberating experience for them, but they keep being forced out of town and are running low on funds – when an opportunity presents itself.

The film transgresses rapidly as it becomes the story of a group of free spirits who all of a sudden are the filmmakers behind a series of SNUFF movies. It’s a depressing look at the economics and welfare of other countries and people offer up their lives in order to put food on the table for their families.

Unfortunately, when things begin to get interesting, this gutsy, original, and thought-provoking feature becomes nothing more than trite hogwash. It falls into the obvious conventions of morality vs necessity, morals vs God, before tripping into the most cliché finale the world has ever seen.

While the directing itself is cheap and cruddy (the cinematography looks like I, myself shot it in the woods with my cell phone), the brilliance of it is that it’s actually a reflection of the protagonist’s plight of becoming a filmmaker; or maybe I’m giving him too much credit?

If you want shocking, Porno Gang does in fact deliver, but unfortunately it becomes proven that Mladen Djordjevic doesn’t quite have the full set of balls he proclaims to carry. For that, check out A Serbian Film.

***Right before the movie started, a very old Asian woman sat right next to me asking, “Did I miss anything?” Thankfully she left before the first scene that featured a guy f*cking a hole in the ground, or when a transvestite licks a horse’s penis. Yeah. This was nearly the most uncomfortable screening since I saw Irreversible with my friend and his mom (I still have nightmares).

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Ready or Not’: Radio Silence Filmmakers Tease the “Absolute Banger” of a Sequel That’s Taking Shape

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It was first reported a couple weeks ago that Ready or Not 2 is now in development, with Adam Robitel (The Taking of Deborah Logan, Insidious: The Last Key, Escape Room, Escape Room: Tournament of Champions) in talks to direct the sequel to the 2019 box office hit. Additionally, we had learned that Samara Weaving would be returning to star.

Entertainment Weekly caught up with Ready or Not directors Tyler Gillett and Matt Bettinelli-Olpin in the wake of those reports, and we’ve now got an update straight from the source.

“It’s getting figured out. That’s what we’ll say: Ready or Not 2 is getting figured out,” Gillett tells EW, confirming last month’s report. “What we can say is that there is a script that is an absolute fucking banger of a sequel. And however it gets made, and in whatever capacity we are helping get it made, we are so excited that it’s happening.”

“I don’t think we knew after making [Ready or Not] that there would be so much story left to tell,” Gillett continues. “We’re so proud of what that first movie is, we’re so proud of what the sequel is. We’re just really excited, and fingers crossed that it gets made.” Bettinelli-Olpin adds, “And with Searchlight and Samara, they’re not gonna let it down.”

The first film introduced a mythology wherein the wealthy Le Domas family has made a deal with the devil, one that requires them to take part in bizarre – and deadly – wedding night traditions. There’s much that can be done with the premise going forward, even if the first movie ended with Weaving’s Grace massacring the family and burning down their estate.

Wikipedia reminds, “The sole survivor of the night, Grace walks out of the burning manor just as the police arrive. Upon asking her what happened, she simply replies: in-laws.”

Samara Weaving

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