Movies
Bloodlust Zombies (V)
“Was ‘Bloodlust Zombies‘ scary? Absolutely not. Was it comparable to George Romero and his band of the undead? I’d have to say no. But it was still fun, bloody and entertaining as shit. I laughed, I yelled, I sat through the entire movie without complaining about a thing- and that says something for the multitude of screeners coming across my desk.”
I get tired of zombie flicks. They’re the same old thing- someone or something triggers a zombie outbreak and sends the rest of the cast into a frenzy. Some die, some become zombies, and others reach the point of hysteria. It’s a formula that’s virtually raped by the horror industry. Before you attack me, I’m not saying that zombie movies suck- I’m just saying that I’ve seen it all, and it’s usually the same thing over and over again. It’s not my fault there’s a lack of originality.
Bloodlust Zombies is one of those indie flicks that takes on the zombie subgenre in the same vein as Zombieland- a comedy about the walking dead (insert eye roll). The thing is- it works. This is one of the few films that I’ve seen since Zombieland that was more than mildly entertaining and actually has some substance. I was impressed by not only the cinematography, considering the budget, but also with the content- the team behind this movie takes what we as horror fans know about apocalyptic scenarios and turns it into a fun filled flick complete with gore and office satire. With that kind of content, how could you go wrong?
Zlantoff Industries has been, unbeknownst to the rest of the office, developing a biological weapon that turns enemy soldiers into walking cannibals. While it may have seemed like a good idea, things go awry when, amidst celebration for the possible commercial success of the weapon, the lab techs accidentally unleash the disease and it begins to spread like wildfire during a chemical lockdown, turning everyone from the mail boy to the head of scientific studies into a walking corpse. That’s where the fun begins. There’s everything from sex, to some pretty good gore, to a back story that nearly jerks a tear from the viewer- and that’s only the beginning. In all honesty, this flick has more to it than some mainstream films that I’ve seen in recent years.
And like I said, I’m picky when it comes to my zombie movies.
The characters alone make this movie worth a view or two. Everyone from the head of development whose husband died in combat to the worked up, testosterone driven male coworker, to the intern with a foul mouth and little to lose, there definitely wasn’t a dull moment in the span of the movie’s 80 minute run. I also have to give some serious props to adult film star Alexis Texas for her role as Andrea in the movie. Though it was a smaller part, and she does spend half of the film naked and riding an old salesman with a cowboy fetish, her final moments in the film are substantially good. That includes her Matrix-esque attack on a zombie where she could easily establish herself as an action goddess in future movies- or at least pretend to be one.
Was Bloodlust Zombies scary? Absolutely not. Was it comparable to George Romero and his band of the undead? I’d have to say no. But it was still fun, bloody and entertaining as shit. I laughed, I yelled, I sat through the entire movie without complaining about a thing- and that says something for the multitude of screeners coming across my desk. Take my advice- watch director Dan Lantz’s debut feature and give the guy a chance. I’d love to see what he could do with a bigger budget and a whole lot of corn syrup.
Movies
‘Werewolf By Night 2’? Michael Giacchino Says It’s Being Talked About But “Everything Takes Forever”
It was Oscar-winning composer Michael Giacchino who sat in the director’s chair for Marvel’s Disney+ Halloween special Werewolf by Night back in 2022, which was released in both throwback black & white as well as full color. But are we ever getting a sequel?
Giacchino tells Screen Rant in a new chat this week that he remains hopeful.
“We’re talking about it,” Giacchino explains. “Everything takes forever to do. There’s a lot of planning that has to happen. Everything has to fit in a particular place at a particular time.”
He adds, “So, nothing moves as fast as we’d like it to. But I hope one day that you will be sitting there watching another Werewolf by Night. That’s my hope.”
Inspired by horror films of the ’30s and ’40s, Marvel Studios’ Werewolf by Night takes place on a dark and somber night as a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader.
In a strange memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Meagan Navarro wrote in her review for BD, “The MCU kicked the horror into overdrive with Werewolf by Night. The nearly hour-long feature presents as a classic horror movie, dropping viewers into the middle of a secret world of monster hunters. Film composer Michael Giacchino directs the special, penned by Heather Quinn and Peter Cameron. Giacchino focuses on evoking the classic horror vibe to assist in the initial worldbuilding. The events play out in monochrome, save for the vibrant red glow of the Bloodstone. Cigarette burns and film grain get added for that retro look. The rules of the hunt get relayed to the cutthroat candidates by way of reanimated dead, albeit in a much campier and family-friendly way via animatronics.”
“Aside from the aesthetics, Werewolf leans heavily into the mysterious,” Meagan continued. “The black and white cinematography more than sets the retro vibe; it allows the feature to remain accessible to a wider audience even as it lets its monsters and monster hunters spill plenty of blood. Toss in a Jack Pierce-inspired beast with practical application, and you’ve got a modern superhero story with a classic Universal Monsters makeover.”