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388 Arletta Avenue :)

“What’s most disappointing about ‘Arletta’ is that the viewer never has a chance to experience any true suspense. Every single sequence/encounter is so overtly obvious that it becomes tedious… It’s a bland thriller with zero tension and completely wasted potential.”

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With found footage films are popping up left and right, many are fighting to find an original take that will reinvent the subgenre for horror fans. Randall Cole’s 388 Arletta Avenue 🙂, produced by Cube and Splice director Vincenzo Natali, finds that unique spin, but ultimately is trapped by the limitations that come with that.


The home invasion thriller begins with a serious of odd events created by the stalker. James (Nick Stahl) is freaked out when a random mix CD ends up in his car. His girlfriend Amy (Mia Kirshner) doesn’t quite believe him, leading to some tension in the relationship. The stalker eventually kidnaps Amy that leads to a serious of games with the killer who is slowly letting James destroy his own life.


What’s most disappointing about Arletta is that the viewer never has a chance to experience any true suspense. Every single sequence/encounter is so overtly predictable that it becomes tedious. Everything that happens is painfully obvious, and Cole, who also penned the screenplay, doesn’t even attempt to trick the audience. To call the thriller bland is an understatement; I think a better term would be “monotonous,” a word synonymous with lazy in Hollywood.


Even more frustrating is James’ attitude and personal history. He seems overly privileged, arrogant and unappreciative of his relationship with Amy. His run in with high school classmate Bill (Devon Sawa) only makes the viewer hate James more as he continues the bullying that he started years prior. Ultimately, the viewer will wish for James’ head on a silver platter.


But the film’s worst offense is it’s unimaginative finale that couldn’t have been more cliché – and to make matters worse, Cole opts to include an epilogue that’s so obvious it’s impossible not to scoff aloud.


With elements of films like The Strangers and Pacific Heights, there’s good stuff hiding at 388 Arletta Ave that’s never quite realized. It’s a bland thriller with zero tension and completely wasted potential. I’d foreclose on this film.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Strangers: Chapter 1’ Character Posters Bring the Modern Horror Icons Back to the Screen

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In just over two more weeks, Lionsgate will be back in theaters with The Strangers: Chapter 1, the first film in a brand new reboot trilogy from director Renny Harlin (A Nightmare on Elm Street: The Dream Master, Deep Blue Sea). It’s coming to theaters May 17, 2024.

While you wait, check out a series of new character posters below.

Madelaine Petsch (“Riverdale”), Froy Gutierrez (Hocus Pocus 2), Rachel Shenton (The Silent Child), Ema Horvath (“Rings of Power”) and Gabe Basso (Hillbilly Elegy) star.

Based on the original 2008 cult horror franchise, the project features Petsch, who drives cross-country with her longtime boyfriend (Gutierrez) to begin a new life in the Pacific Northwest. When their car breaks down in Venus, Oregon, they’re forced to spend the night in a secluded Airbnb, where they are terrorized from dusk till dawn by three masked strangers.

Here’s the full official synopsis: “After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive.”

Renny Harlin (CliffhangerDeep Blue SeaDie Hard 2) is directing from a script by Alan R. Cohen and Alan Freedland (The Freak BrothersDue Date). Lionsgate will distribute worldwide.

The Strangers began in 2008 with Bryan Bertino’s original home invasion horror movie, a terrifying film that introduced three masked killers who returned 10 years later with The Strangers: Prey at Night in 2018. The first film took place in a remote house in the woods while the sequel brought the murderous Man in the Mask, Dollface and Pinup Girl into a trailer park.

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