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[Review] ‘Hotel Transylvania’ Made For the MTV Generation

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Fans of classic creature features may want to book a trip to Hotel Transylvania, Sony Pictures Animation’s 3-D horror comedy that features the voice acting of Adam Sandler, Kevin James, Fran Drescher, David Spade, Jon Lovitz, Cee Lo Green, Steve Buscemi, Molly Shannon and Selena Gomez. While the film leaves much to be desired, it’s a pretty focused comedy that does carry a few laughs, along with an incredible amount if energy.

In the film Dracula opens a five-stake resort in the hopes of giving monsters a safe place to be themselves. Every year, he opens the hotel alongside his most precious event: the birthday of his young daughter Mavis (her 118th, to be exact!). This year, however, a human stumbles into the party and causes everything to go wrong… for Drac.

Hotel Transylvania caters to the MTV generation’s lack of attention, and blitzes through the gates without a breath. The characters are introduced at lightning speed, and many of the set pieces are injected with the same energy. There’s even a slight meta vibe (that occasionally goes a bit too far) as Dracula’s party is constantly referenced as “old” and “outdated.” The pace is what keeps this generic fable interesting, moving between characters and set pieces in a way to keep it visual fresh.

And while the main story may be outdated, there’s an injection of life in the way the ideas are presented. One of the cooler aspects is that the characters actually leave the hotel and enter real/modern world. It’s unclear if the writers have any social commentary, or if they’re just going through the motions (I suspect the latter), but there’s an interesting sense of space created throughout. Huge props go out to the digital animation team for creating this world, and pushing the boundaries of animation. The castle is absolutely gorgeous, as are all of the other background drawings. The characters themselves have a modern feel, albeit some of the jokes are focused on Dracula being an old fart.

The biggest disappointment is that it’s obviously a film made for young teens, mostly void of any adult humor. The writing lacks any sort of real punch, but is cutesy enough to warm the hearts of some parents out there. Horror fans? ParaNorman, while I dislike the film, was more aimed towards the horror audience. Although Hotel Transylvania is way more focused, entertaining, and isn’t trying to be something it’s not.

Hotel Transylvania isn’t really for the average Bloody Disgusting reader, but fans of the classic universal monsters will enjoy seeing their favorite creature on screen, and the jokes that accompany them. The 3-D feels a bit unnecessary, so check this one out on home video.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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