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[TV Review] “The Strain” Episode 1.10, ‘Loved Ones’

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With the final few episodes of the season, you’d think The Strain wouldn’t waste precious time with plotlines that don’t move the story forward. Would you be surprised to know that “Loved Ones” actually contains no plot progression whatsoever?

That’s right, this episode begins and ends in the exact same place for all of the characters. It’s infuriating. The story feels so padded. It’s stalling against an inevitable conclusion for reasons unknown. It’s almost afraid that the main plot line could be resolved too quickly so it spreads itself too thin for too long.

Let’s get some obvious issues out of the way. The episode begins with Zack magically being able to access the Internet in a world that has had the Internet shut down. (A fact, which we’re constantly reminded of.) He turns on find my iPhone and tracks his mom’s phone with ease. Then Eph says the coming apocalypse can wait, and everyone else is like it’s cool, go find your ex-wife. So he leaves.

It’s amazing too, because he’s looking for this iPhone in a red case, and luckily he’s able to spot it from approximately 100 feet away in the possession of a homeless woman with a badly burnt leg. Hard cut to him wrapping gauze around her burn. Then I hope you like flashbacks! Because this week is like an episode of Pimp My Ride: flashbacks on flashbacks on flashbacks.

What is so important that it requires so many flashbacks to tell the story, why it’s the demise of Kelly Goodweather! As someone who’s familiar the source material, Kelly’s journey should prove interesting, but this week we’re treated to it all at once. We’re constantly reminded of what happened in the past, and this just feels like a last ditch effort to retread old ground in an attempt to stall the major story for one more week.

I enjoy her transformation. I even liked some of her scenes this week. But so much of this defies pacing logic. I feel shortchanged as a viewer. We gained no new information from Kelly’s journey and we didn’t even feel the emotional weight of her demise until the final minutes of the episode. Eph finding the necklace in the basement was enough to know that she was dead. Frankly it would have been more interesting to see Kelly’s story play out last week and have Eph retrace her journey this week. Instead we see it all play out twice, right here, right now.

I digress, but that’s what this episode felt like, a gigantic digression. While I didn’t enjoy most of what last week had to offer I still felt like it inched things along for some of the key players. This week we got no Eichorst, virtually no Abraham, and a couple wasted scenes with Vasily.

The result was a truly painful hour of television that finally got away with establishing the rules of it’s world in favor of focusing on character. But the characters are so scattered and one dimensional that it’s hard to feel anything for them or what they’re going through. The Strain is having a serious identity crisis. It can’t decide on the story it wants to tell, and it’s trying too hard to tell too many  stories. Instead the narrative should take a page from the Dark Horse Comic adaptation and really look at cutting the fat from the bloated narrative.

There needs to be a serious change of focus in these final three weeks for me to stick around into season two. Bring back the horror, and show me the world in chaos.

Stray Thoughts:

–       Matt going to the bathroom before killing Kelly, doesn’t make any sense at all.

–       The quick scene of Kelly seeing the internals of humans passing by was fantastic. Just a walking heart, gimme dat blood.

–       I loved the weird way the Vampires are just walking around in society. The ones that Kelly viewed were terrifying but too few and far between.

–       God damn The Stonehart scenes were useless.

–       Really? No Eichorst, or Gus?

–       Where’s Quinlan?

 

What did you think of “Loved Ones” ?

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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