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[TV Review] “The Walking Dead”: Episode 5.05, ‘Self Help’

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The Walking Dead abandons the momentum of it’s previous chapter to explore something truly tedious. “Self Help” details Abraham and company’s foolish “mission.”

From the very introduction of Abraham, Rosita and Eugene, it was painfully clear that their ‘mission’ was nothing more than a fools errand. I can maybe see some of the more naive viewers taking this outlandish proposal (a reversal of the zombie plague) at face value, but for our established characters, as presented, it was downright insulting.

When this part came around in the comic, while Eugene’s story was obviously a load of shit, I didn’t even give it a second thought, as it’s a medium where suspension of disbelief is much, much easier to maintain. It helped that Eugene feigned contact with Washington via his battery-less radio, lending a shred of credibility to his claims. But without that, something about seeing this unfold in the show was immediately, and strikingly silly. A fact only compounded by the amount of time it’s been allowed to go on, coupled with the poor development of the aforementioned trio of newcomers. 

But If there’s one good thing I can say for tonight’s episode, it’s that it closed the book on this particular detour, while attempting to add some much needed depth and purpose to the character of Abraham. Did it succeed in the latter? The answer, from where I see it, would be neither yes or no.

From the onset of the episode to it’s conclusion come countless instances of steadfast, almost laughable exposition from Abraham. He really doesn’t want to turn back  on the mission. The intermingling scenes depicting the flashback scenario in which Abraham is left behind after brutally defending his wife and children. When he later discovers their eviscerated remains,  he decides to take his own life, he comes upon Eugene, and is bestowed with a new sense of drive and purpose.

While it did lend some weight to Abraham’s personal position, it did little to excuse the others who followed him, or to make him a likable character. And, while were on the subject of likability, Eugene was also in top form, never missing a chance to irritate. However, with that being said, his saving of Tara, sabotaging of the bus, manning of the fire hose, and owning up to his lies, made him a much more sympathetic character that I thought possible. 

There was certainly some progression here in terms of character development, and while I wasn’t particularly moved by any of it, it does excite me to see what might be around the corner. Did the unwavering ridiculous dedication to Eugene’s mission cause the disconnect for me with these characters? Only time will tell.

There was certainly some gory and satisfying walker killing on display here though, in both the opening bus crash escape, and in the scene involving the fire truck. The latter of which was actually one of the more awesome and creative zombie destruction scenes this show has served up. I never would’ve imagined using the immense pressure of a fire hose to blast chunks from softened zombie bodies. A truly spectacular scene in an otherwise rough episode.

It takes a hell of a lot more than a few simple scenes of undead brutality to make an excellent Walking Dead episode. It’s always nice to see, especially when treated to viewing a herd so large it was smelled before it was seen. But when the narrative driving the characters from set piece to set piece feels so underwhelming and unimportant, all the gore and action in the world couldn’t save it from mediocrity.

I’d be a liar if I said the final scene depicting the culmination of Abraham’s misguided dedication didn’t get my blood pumping, but it was a very small amount of excitement in an episode rife with pointless expository scenes about missions and mullets. My only hope now that this meandering plot thread has snapped, is that these characters can find a mission worth taking on. Not to mention one that will raise Abraham to the ranks of greatness his character deserves.

What did you think of “Self Help?” Did you believe Eugene’s lies? Is Abraham too dedicated?

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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