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[5 Skull Comic Review] “Godkiller: Walk Among Us” #3 Is Necessary and Important Reading

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I read a lot of comics. But I don’t read many like “Godkiller: Walk Among Us” #3. It’s the most pervasive and oddly endearing comic I think I’ve ever read. Because it challenged me. It showed me things I wasn’t ready to see, and it didn’t present them as some sort of oddity, but rather a grim reality. It pushed me further than I’ve ever been pushed and it establishes a new level of dialogue in the medium. In short, it’s mandatory reading for anyone who loves comics.

STK632708

WRITTEN BY: Matt Pizzolo

ART BY: Anna Muckcracker Weiszczyk

PUBLISHER: Black Mask Studios

PRICE: $3.50

RELEASE: November 19, 2014

What may have just happened for me was a little life affirming. You see, there is often talk about what types of narratives are acceptable or engaging. Pizzolo decides to show a grim reality that you can’t possibly look away from. Tommy is put through certain brand of hell that I wasn’t ready to come to grips with, but inside this hell is a telling push against what you typically see. We’re not shown something beautiful, in fact we’re shown something monstrously ugly, something that shouldn’t be acceptable, but here it’s presented to us and we have to digest it.

I recommend that everyone does, because it’s there for a reason. It’s not unbridled chaos for the sake of it, it’s calculated insanity that tests your own limits. Tommy goes through something that would easily break down almost anyone’s will to live. But through it he comes to define himself in a new and incredible way. He’s pushed to the absolute bottom of his world, and somehow rises up from the ashes of his previous existence as something new and stronger.

“Godkiller” has never been for the faint of heart. Yet, it should still be digested by everyone. It’s a surreal deconstruction of the images we build of ourselves, the influence our media consumption has on us, and the narratives we build around it. Within all of this comes a warped sense of reality that the comic takes as fact. It’s not something that everyone will love, or even really understand but it’s not the point. It pushes you to think about your consumption, about how you define your world, and it puts your trauma into perspective.

The world is a terrifying place, filled with horrifying people, but if you have a purpose what will force you to stop? If you follow Tommy’s example then nothing is compelling enough for you to give up.

The themes within “Godkiller: Walk Among Us” show how we value the people we determine “desirable” for consumption. Our society continually eats people up until nothing is left, and here on the page its taken literally. But if you really listen to how these characters value Tommy it’s no different than how we dissect certain people in our lives. It’s something that we’re all guilty of but hardly anyone draws attention to, well, outside the broad spectrum of consuming a person’s personality via the media until they are a shattered husk of what we originally built them up to be… but I digress.

I suppose amidst the incredible and surreal work of Anna Muckcracker Weiszczyk, I got lost in this nightmarish hell. But I didn’t come out with a loss of hope or sense of desperation. I had a life affirming moment. I often push that comics are a medium for telling important stories, and the pages of this comic reconfirmed something I’ve felt in me for a very long time. Comics can show us the ugliest sides of ourselves, as much as the idealized selves. In fact, they go hand in hand with one another.

We like our media to be pretty, presentable, and easily digested. Matt Pizzolo bucks the trend and shows you the unflinching nightmare on the page. But, within that nightmare there is a really important discussion. We can process the horrible nightmares just fine, and we can learn more from them than we thought. We can become better people for having experienced the nightmare, much better than the people we become after reading issues of “Superman.” There’s no such thing as truth and justice. And, the American Way is completely fucking warped. “Godkiller” doesn’t dance around that fact, which makes it necessary and important reading.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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