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[TV] “Powers” – ‘Like A Power’ Review

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After finding the Powers pilot to be a mixed bag, “Like A Power” does very little to quell my fears thanks to uneven pacing, unrelatable characters, and a script that does little to offer much exposition.

Take for example the opening scene of the episode. We pick up exactly where we left off last, with Walker on the rooftop after being saved by Retrogirl. He’s greeted by a spirited old security guard who talks about their past together. The relationship that they hint at is interesting but never clarified. Instead it offers an awkward level of exposition that doesn’t clarify but instead confounds.

I’m feeling a little lost in the world of Powers. Full disclosure, I’m not really acquainted with the comic series in which it shares its namesake, and for what it’s worth that doesn’t really seem to matter. The show is distinctly different after the initial set up. But, after a pilot steeped in over-exposition this episode felt like a complete 180.

The basics of every character’s motivation are offered, and while I understand narratively it makes no sense for Johnny Royale’s plans to be completely revealed, they aren’t eve given any real context.  But I digress.

The mystery around Calista deepens. Everyone seems to be playing around her character and in a way it offers a lens on the idea of powers like no other character could. But, even when put against the iconic Retro Girl, Calista just spouts the things we knew about her before. She’s a ball of lies, and Retro Girl is a bitchy alpha female who dismisses anything she says in an effort to get Walker involved. But even when Walker gets involved, Retro Girl then doesn’t want to hand her off.

The history of Retro Girl and Christian Walker is interesting at a glance. But, again we learn nothing new about them in this episode that would otherwise add depth to their interactions.

The one saving grace of “Like A Power” is the developments undergone by Deena Pilgrim’s character. She’s feisty and determined and even takes charge in a powers arrest. Although she doesn’t quite have the necessary powers smarts to be strong in this world yet, teaming with Walker will eventually make her into a dominant member of the powers unit.

I can’t help but feel this show was made on a shoestring budget, and it shows. It has a less than cinematic feel. With an idea like this, the cinematography should be grand and detailed. Instead every single scene feels bland and generic. There are so many concrete walls or smooth “futuristic” settings that nothing seems to stand out. The color correction is nothing to write home about, and visually the show falls flat.

That wouldn’t be such a problem if everything didn’t look so cheap. I’ve personally been on student sets that look better than these. I don’t know if it’s a product of a limited time or what, but the special effects are about one step above The Secret World of Alex Mack.

This causes a rift for me. It ruins my suspension of disbelief and causes me to second guess everything. But more than the budget I can’t shake the idea that Sharlto Copley is miscast as Christian Walker.

I love Copley. I think he’s a tremendous actor with a lot of range, but here he feels trapped in shallow motivation. His character never really moves past the initial ide of losing his powers. He’s not an overly good cop, and he’s not overly charismatic. He’s actually quite loathsome. He doesn’t have much in the way of redeeming qualities, and despite the other characters telling us all the time; we know nothing of his days as a hero. I get it; the antihero is in right now. But, the best antiheros have a shrewd of humanity or vulnerability. Walker doesn’t have either.

Powers for me is a grand experiment, that is stumbling out of the gate. It’s by no means a bad show, but it is tonally inconsistent and narratively a mess. It doesn’t have any visual appeal at all, and somehow doesn’t do anything to define itself outside of bringing gore to the superhero drama. I want this to be good, but it just isn’t there yet.

Let’s hope “Mickey Rooney Cries No More” is a little more focused and begins to address the problems I outlined.

 

What do you think of Powers so far?

Am I being too hard on it?

For those of you still not watching, here’s what you’re missing:

 

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‘You’ll Never Leave This Place Alive’ – IDW Dark’s Next Horror Comic Will Make You Question Reality

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Five friends. Four houses. One perfect life. Bloody Disgusting is excited to exclusively announce You’ll Never Leave This Place Alive, a brand new horror comic from IDW Dark.

From Eisner-Nominated writers Jackson Lanzing and Collin Kelly, and rising horror artist Heather Vaughan, You’ll Never Leave This Place Alive is described as a “paranoia-laced, socially-conscious, horror mystery that will leave you questioning reality, and reveal that this crafted world is more of a nightmare than the idealistic dream they were expecting.”

Phoebe Joplin has never questioned the world her parents built: a secluded community where she and her friends were raised to be smarter, stronger, and better than anyone else. No distractions. No dangers. No secrets. Until the night of their graduation.

When one of them dies under impossible circumstances, Phee starts to pull at the edges of her perfect life—and what she finds is something far more terrifying than she ever imagined.

Because this place isn’t a sanctuary. It’s a cage. And no one who discovers the truth ever leaves it alive.

Collin Kelly & Jackson Lanzing (Batman – One Bad Day: Clayface, Star Trek: The Last Starship) co-write the upcoming IDW Dark horror comic, featuring art by Heather Vaughan.

Jackson Lanzing said in a statement to Bloody Disgusting, “You’ll Never Leave This Place Alive is in many ways a spiritual successor to our last creator-owned horror, The Principles of Necromancy – a dive into the promise and consequence of playing god with the blood of innocents. But the Hivemind book this reminds me of most is Clayface: One Bad Day. This is a deeply human story with intensely raw emotions – five best friends and their five mysterious parents, tearing one another apart for the promise of some impossible glory that’s waiting just beyond their darkest actions. We’re thrilled to be bringing this story to life with our long-time partner in crime, editor Heather Antos, at IDW Dark – and we’re particularly excited to give our Clayface fans a new, brutal and emotional horror made just for them.”

Adds Collin Kelly, “We’re deconstructing a feeling that seems universal these days; our elders have a death grip on their power, without any intention of giving it up to the generations that come next. YNLTPA is about growing up with the limitless potential of the future… and realizing how much it’s a lie we’ve been fed to keep us under the yoke of the past. Bringing this brutal experience to life is our artist and co-creator, Heather Vaughan, who brings an incredible amount of humanity to our cast. But it’s in our youthful leads that Heather’s art really shines – you are going to fall in love with these young people, even as they go through the worst experience of their lives. What we’ve all crafted together is going to be tragic, painful, but above all else, sincere – with a future so uncertain, there’s only one thing we can trust: you’ll never leave this place alive.”

“Some horror stories are about monsters in the dark. YNLTPA is about realizing the monsters raised you,” previews Senior Group Editor Heather Antos. “Working with Jackson Lanzing and Collin Kelly on this series has been a dream in the darkest possible way. They’ve built a story that’s layered, brutal, and deeply emotional, and every issue gives artist Heather Vaughan opportunities to push the art into places that feel both haunting and deeply personal. Some horror comics will keep you up at night…this is one that will stick with you for years to come.”

The first issue of You’ll Never Leave This Place Alive goes on sale October 14, 2026! Make sure to pre-order at your local comic shop by September to guarantee a copy.

Exclusively check out the various covers for Issue #1 down below.

IDW Publishing’s horror imprint IDW DARK features comics like A Quiet Place: Storm Warning, Smile: For the Camera, The Exorcism at 1600 Penn, Beneath The Trees Where Nobody Sees, The Twilight Zone, Event Horizon: Dark Descent & Event Horizon: Inferno, and more.

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