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[Fantasia ’15 Review] ‘Possessed’: An Inventively Sadistic Claymation Trip to Hell

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Put the kiddies to bed, this Claymation movie isn’t for the little tykes. Put the grandparents to bed while you’re at it because it might make them spit out their dentures. In fact, put everyone to bed who doesn’t have a disturbingly morbid sense of humor refined from years of consuming horror films. That’s the ticket. Director Sam Ortí Martí’s Possessed is a wild and demented ride with heaps of gruesome deaths that never lets up for a moment. From its swashbuckling prologue to its hellish finale, Possessed is an inventively sadistic blast.

The film follows a rambunctious youth named Damien, the spawn of a renowned flamenco dancer and celebrated bullfighter. After his father dies in a freak accident, Damien begins exhibiting some disturbing behavioral problems. He frequently blacks out and foams at the mouth (which looks wicked cool in Claymation). During these black outs, very bad things happen to those around him. Despite the help of doctors, Damien’s condition only worsens and soon it’s apparent a devil is having its way with him.

At wit’s end, his mother calls in a defrocked, drunkard priest to perform an exorcism on poor Damien. Along the way, an old lady’s spine is ripped out, some obnoxious talk show guests get horribly mutilated, and a lot of red clay is spilled. The horror homages come swift and silly – nods to Hellraiser, The Omen, Poltergeist, and, of course, The Exorcist abound. All these nods feel organic to the story and never come across like the filmmakers are just pandering to the fans. It’s easy to tell they’re huge fans of the genre too and that love oozes out of every painstakingly sculpted frame.

[Related Post] Read all of our reviews from the Fantasia Film Festival 2015

The animation in Possessed is fantastic and seamlessly mixes playfulness and gore. In a few shots you can see hints of thumbprints animators left behind, but that’s part of the charm. Alongside the remarkable stopmotion is the voice work, which features Santiago Segura (Day of the Beast), Alex Angulo (Pan’s Labyrinth), and genre favorite Nacho Vigalondo. A few of the characters speak in this screeching, shrill voice that’s just as funny as some of the gags. Like they’re doing an impersonation of someone they hate in real life. It’s hilarious.

Goya-nominated animator Sam Ortí Martí has crafted an uninhibited homage to the horror genre with Possessed. More than just homage, the film takes some interesting turns of its own and does manage to pack in a little heartfelt emotion along the way. You know what? Forget what I said earlier about putting the kids and grannie to bed. Wake their asses up. They should see this.

The film just had its North American premiere at the Fantasia International Film Festival and will hopefully come stateside soon.

Patrick writes stuff about stuff for Bloody and Collider. His fiction has appeared in ThugLit, Shotgun Honey, Flash Fiction Magazine, and your mother's will. He'll have a ginger ale, thanks.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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