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[FrightFest Review] ‘Attack of the Adult Babies’ is an Exercise in Cinematic Disgust

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For anyone still struggling to understand why Brexit happened, Dominic Brunt has put together a unique British social class farce to help you out, Attack of the Adult Babies. A grand old house hosts a handful of “the most influential men on the planet” living out their baby fantasies. Pantyhose-wearing “nurses” are there to feed, change and play with these pasty old white men. As you can imagine, this is a crazy set-up for a mother, son and daughter to wander into on a life-or-death errand. As with so many political issues, it comes down to the youngsters to deal with the true impact of the elder’s actions.

The full extent of the underground cult they uncover is a satirical gold mine. The bizarre lore involves the adult babies sprouting turned up piggy noses and some kind of queen pig horror (I wonder why that’s the animal of choice?) buried in the basement. And that’s excluding the super laxative and a guy massaging his own disembowelled intestines. The twisted ideas alone would be enough to leave you squirming in your seats, but to see this stuff writ large on the big screen is a whole different can of slimy worms. As you can imagine, such a depraved, off-the-wall premise requires nothing but the utmost commitment from the cast.

[Related] All FrightFest Reviews and Coverage Here!

Brunt collaborates with other filmmakers as the film enters other planes of reality, each expressed with varying cinematic accents, including Lee Hardcastle providing a sequence of his trademark gory claymation. The film has some trademark British humour as Brunt lingers on hilariously awkward interstitials. These moments make this a great audience movie. The laughs trickle across the theatre, and grow throughout the crowd, as each distinct chuckle adds to the surreal humour of it all.

Attack of the Adult Babies is an exercise in cinematic shock and disgust. Not all of the bodily fluids stick, but it’s unlike anything else out there. I can’t even begin to imagine what a US-centric remake would look like…

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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