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[Review] ‘2-Headed Shark Attack’ is a Fun But Flawed Ride

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Low budget shark movies with ridiculous plots and exaggerated antagonists have practically become their own genre by now, with The Asylum taking the lead on producing these aquatic-predator-themed horror movies. While a lot of people criticize these intentionally cheesy films, they obviously have a large enough fan-base to warrant so many iterations of this premise. This is precisely why Christopher Ray’s bizarre thriller, 2-Headed Shark Attack, exists.

Starring Carmen Electra, Charlie O’Connell, Brooke Hogan, Christina Bach and several others, 2-Headed Shark Attack follows an unfortunate group of college students and their professor as they’re stranded on a flooding atoll after being attacked by the titular mutated shark. Naturally, tensions rise as the group must learn to work together in order to survive their encounter with a predator that’s twice as dangerous as anything they’ve ever seen before.

Some of the more genre-savvy viewers might complain about how the flimsy plot is more of an excuse to place these highly-edible characters in range of the killer shark than a proper story in and of itself, but there’s some merit to how earnestly this plot is executed. After all, we’re promised a 2-Headed Shark Attack in the title and that’s exactly what we get. In a refreshing departure from the usual monster shark movies, this film actually spends more time having honest fun with its premise than reveling in an intentionally awful script.

That’s not to say that the film is constantly entertaining, as the over-the-top massacres are good fun at first, but do get stale after a while. There’s only so many ways that you can film a two-headed carnivore rip beautiful people apart in the water before it gets repetitive, and there’s an exhaustingly large list of boring shark fodder to get through. This could have been remedied by having fewer characters, giving the movie more time to develop individual personalities and make their deaths more elaborate.

Nevertheless, 2-Headed Shark Attack does have the unexpected benefit of compelling protagonists, as a select few of these hopeless college students feel genuinely likable. While none of them are exactly well-rounded, three-dimensional characters, the film makes an effort to give them all unique personalities and character traits, even if there simply isn’t enough time devoted to developing them.

This effort does feel somewhat undermined by the presence of several pointless “eye candy” sequences, with enough exposed breasts and exaggerated posing to open a shark-themed strip club, but I guess these are par for the course for this kind of film. It’s a shame that they’re not better shot, however, as the movie awkwardly transitions from well-directed bits of action and gore to cheap-looking set pieces with confusing editing.

Luckily for us, the effects aren’t consistently awful like they are in several other low-budget shark features, though there are still quite a few scenes with highly questionable CGI. There’s actually an oddly charming practical puppet that’s used in some close-up shots that help to sell the illusion. The shark design looks rather silly, but since the film doesn’t shy away from its own campiness, this doesn’t really detract from the experience.

In any case, if you’re looking for a straight-faced shark movie, 2-Headed Shark Attack definitely isn’t for you. But, if you’re up for some campy fun with a highly flawed but ultimately harmless bit of entertainment that doesn’t take itself too seriously, then you might find this film to be worth a watch.

2-Headed Shark Attack will be playing in select Cinemark theaters on September 28th as a part of Thursday Nights at The Asylum!

Born Brazilian, raised Canadian, Luiz is a writer and filmmaker that spends most of his time thinking about movies.

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‘Backrooms’ Lore Explained: Async Research Institute and the Complex

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Backrooms lore explained

The iconic line “If you build it, they will come” may have originally referred to a baseball field, but I’d argue that the record-breaking success of Kane Parsons’ Backrooms is proof that the line could also refer to well-crafted movies about ideas that young cinemagoers actually care about.

Yet, despite being based on Parsons’ existing ARG/Webseries, the A24-produced film is more of a standalone tale exploring the personal implications of the titular rooms rather than a traditional examination of the hard sci-fi elements present in the source material.

This less lore-reliant approach was a genius move, as the resulting film ended up being equally accessible to both existing fans and newcomers alike. That’s not to say that Backrooms doesn’t engage with the existing mythology in new and interesting ways, however, as the film heavily expands on the Async Research Institute and the cryptobiology of the rooms themselves. With that in mind, I’m diving a little deeper into these connections in order to help fledgling Backrooms enthusiasts find their way around the yellow labyrinth.

As is to be expected from this kind of article, there are major spoilers ahead, so proceed at your own risk if you’ve yet to see the movie!

Who is Async Research Institute in the Backrooms Movie?

backrooms sequel kane parsons a24

Backrooms. Courtesy of A24.

Of course, if we’re going to discuss the connections between the series and the film, a good place to start would be Async itself. The California-based Foundation plays a brief yet pivotal role in the film as outside observers that only really interfere with the main plot during the final act. While the Foundation is the main focus of the ARG, they’re mostly hinted at in the film. 

Chiwetel Ejiofor’s Clark runs into several Async-built “anomaly lures” during his exploration of the liminal space (mostly in the form of human-shaped cut-outs accompanied by audio recordings inspired by the 1977 Voyager Golden Record), as well as surveillance cameras and evidence that at least one of their agents has become trapped in the rooms – though we’ll get to this last detail later.

It’s only towards the end of the flick that Foundation agents finally show up in their iconic yellow protection suits and “rescue” Renate Reinsve’s Mary by pulling her back to “reality” through a familiar portal, though it’s heavily implied that they might not be all that concerned with her well-being.

After all, long-time fans are aware that Async has been researching the “Complex” (their official name for the Backrooms phenomenon) since at least the late 1980s, with their Threshold experiments being based on a Low-Proximity Magnetic Distortion System prototype developed by Oak Ridge National Laboratory in 1982. Unfortunately, their experiments have likely resulted in hidden portals appearing more frequently in the outside world, which consequently leads to more people accidentally “no-clipping through reality”. And that’s not even mentioning the occasional earthquake caused by unstable Thresholds!

Where the Backrooms Fits in the Original ARG Timeline

The Backrooms Lifeform horror

Kane Parsons’ “The Backrooms” horor short

Though the film takes place in 1990, the ARG’s timeline actually begins in 1996, with the original found footage upload and the ensuing research sparked by the video serving as sequels to the A24 production. Not only that, but film’s Still Life monsters (“misremembered” versions of real people who wandered into the rooms) appear to be precursors to the Lifeform from the series.

In the original videos, it’s speculated that the humanoid predator inhabiting the Complex is the result of a novel strain of hay bacillus forming a human-shaped colony, though the addition of the Still Life mythology may very well mean that the mutated hay bacillus itself is a Still Life reproduction of an existing bacteria that somehow fell into the Complex.

The film also offers us an interesting clue into the history of the Foundation when Mark Duplass’ Phil talks about how the company used to work with MRI machines. This seemingly innocuous origin for the secretive organization implies that the Complex itself might be the result of some advanced form of neural imaging – as if the Threshold is somehow opening a portal to the universe’s -or even God’s- subconscious mind.

Who is Naren Warne and Why is He Important to Backrooms Lore?

Async researches in “Backrooms” web series

One of the more direct connections between the film and the series happens to be Avan Jogia’s Naren Warne, an unfortunate Async Institute scientist who shows up in the movie’s found footage prologue. A now-deleted Discord post by Kane Parsons himself suggests that Warne was originally a part of the Missing Persons survey team that discovered a dead body taken over by “mold” (the aforementioned hay bacillus).

At some point during the expedition, Naren appears to have been separated from the rest of the team and wound up wandering alone in the Backrooms. The film opens with the desperate scientist’s VHS footage as he records his attempts to contact his superiors and is ultimately chased down by an unseen Lifeform.

While this prologue mostly serves to establish that the Backrooms contain more than empty hallways, it’s fun to see Parsons include a trail of breadcrumbs leading back to the lo-fi source material even when working on such a high-profile production.

Naturally, there are other curious connections to be found here, such as a faithful recreation of the original photo that spawned the Backrooms creepypasta in the first place, as well as audio cues harkening back to the various TikTok musical trends that often accompany liminal horror content.

However, half the fun of engaging with lore-heavy material comes from discussing theories with fellow fans, so I’d like to invite readers to comment below with your own favorite additions to the lore/references to the ARG! Just be sure to watch out for suspicious-looking furniture salesmen – especially if they’re dressed up like a pirate.

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