Movies
[Overlook Review] Unapologetic ‘Puppet Master: The Littlest Reich’ Delivers Bonkers Gore and Offensive Humor!
Before the world premiere of Puppet Master: The Littlest Reich at the Overlook Film Festival, producers Dallas Sonnier (new owner of Fangoria) and Amanda Presmyk took to the stage to give a brief introduction, not that these beloved pint-sized terrors really needed any introduction. Sonnier chuckled as he revealed the only bit of information that audiences would ever need about this reboot; thanks to S. Craig Zahler’s (Bone Tomahawk, Brawl in Cell Block 99) script, this film was guaranteed to be unrated, because it will never pass as an R-rated film. The film absolutely lived up to this assessment, delivering a crowd-pleasing rowdy time so bonkers in its gore and offensive humor that it tops nearly everything about the beloved Full Moon franchise.
The film opens in Postville, Texas, in 1989, with a heavily scarred Andre Toulon (Udo Kier) traipsing into a bar and delivering deadpan dialogue that would set the politically correct police in a tizzy. After offending the bartender by inquiring her hooker fee, he leaves in disgust when he learns she’s a lesbian. Of course, this means that the bartender and her lover become the film’s first victims to Toulon’s puppets, and the film establishes early just how gruesome their kills are going to be. After the open, the film switches to the present, with Thomas Lennon’s Edgar, a comic book artist and writer, picking up the pieces from a divorce. Rediscovering his brother’s Blade doll after moving back home, he’s inspired to road trip to the 30th anniversary convention of the infamous Toulon Murders, with his new lady love Ashley (Jenny Pellicer) and boss Markowitz (Nelson Franklin) in tow. To say the convention derails quickly would be an understatement.
When you opt to watch a film titled Puppet Master, you’re in it for the puppets and their kills. The Littlest Reich manages to out-deliver both in volume of deaths and puppets than the Full Moon franchise’s entire catalog combined. This version of Toulon didn’t just stop at his one-of-a-kind handful, he made a huge catalog full as well as duplicates to ship worldwide. The convention setting meant the perfect place for the puppets to be brought back together, with a minimum of 45 deadly little Nazis to unleash their slaughter. Oh, so much glorious slaughter.
S. Craig Zahler has already established his uncanny talent for deadpan humor against extreme violence, and that’s taken even further with Sonny Laguna and Tommy Wiklund (Wither) at the helm. Even a horror staple, the severing of an Achilles tendon, tends to become somehow even more visceral through Laguna and Wiklund’s lens, and that’s saying a lot. The gore is so over the top and inventive that it manages to creatively introduce a lot of firsts to the series. None of which I’ll spoil, but suffice it to say that the Overlook audience spent much of the runtime cheering at the depravity on display and this is one you’ll want to see with a crowd. There’s also some deaths so bold that it will shock even a hardened horror fan.
The Littlest Reich delivers everything that should come with a reboot; a reverence for the original property, its own spin on the mythology, memorable new characters, and more special effects insanity than you thought possible. Lennon and Pellicer bring a grounded sweetness to the lead protagonists, and vets Michael Pare and Barbara Crampton imbue their straight-man authority figure roles with a nuanced humor that balances the zany antics of the anti-Semitic little killers. As great as the cast is, the true stars, of course, are the puppets, and this reboot won’t let you down there. Puppet Master: The Littlest Reich brings puppet carnage and mayhem to insane new heights, unafraid to break every single taboo along their quest to fulfill their Fuhrer’s bidding. Even if you don’t like the original Full Moon franchise, I have a strong hunch this will convert you. Unless you’re easily offended, that is. Puppet Master: The Littlest Reich will have you gasping, squirming, and laughing at the bold display of offensive humor and gore. Above all it will leave you asking, when can I get more?
Comics
‘Plunder’ – Horror Comic from Boom! Studios Making the Leap to the Big Screen
Horror hits the high seas in the comic series Plunder from Boom! Studios, and Deadline reports today that the horror comic is soon getting a big screen feature film adaptation.
Miles Koules (Ski Weekend) and Oren Koules (Saw franchise) from Koulest Productions are on board to produce the Plunder movie, based on Jonathan “Swifty” Lang‘s comic.
“Plunder is a horror story that picks up with a gang of Somali pirates after they face off with an illegal Chinese vessel. They then try to board what they think is a research ship, only to find themselves in the midst of a massacre, with their worst nightmares becoming reality around them.
“The 14-year-old boy who went from translator to reluctant pirate becomes their key to survival, but he must decide how far he’s willing to go in the name of self-preservation.”
Academy Award-nominated SFX Artist Alec Gillis (Prey) will be handling the movie’s special effects with his team Studio Gillis, so the effects are in very good hands with this one.
Ethan Teller (Jar of Fools) will be writing the screenplay.
“Optioning Plunder has felt like a dream come true for me. Being a massive fan of Sci-fi/Fantasy stories is what made me want to be a producer in the first place,” said Miles Koules in a statement shared by Deadline. “Working with such great people like Jonathan and Ethan on their vision which draws comparisons to a combination of Alien and Captain Phillips is incredibly inspiring for me. I feel lucky to be a part of what takes their idea to the big screen.”



You must be logged in to post a comment.