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[Review] ‘DayZ’ Misses Out on Big Potential and Makes For a Disappointingly Dreadful Experience

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dayz review ps4

Bloody Disgusting heads to Chernarus and finds the struggle to survive has got no easier on PS4. Read the DayZ review to find out why great potential remains unfulfilled. 

On paper, DayZ reads like an intriguing experience: tossed into the fictional post-Soviet Republic of Chernarus, you take on the role of a survivor in an apocalyptic wasteland plagued by “infected” beings. The primary goal of players in DayZ is to survive; the game’s MMO approach allows them to explore a huge open world where they can gather supplies and work alongside other players. With the PC and Xbox One version of the game having fully-released back in December of 2018 after a few years of Early Access, the game is now available on PlayStation 4.

All of this sounds like an excellent time and something that fans of the zombie genre would absolutely adore. In actuality, however, DayZ ends up being a primarily dreadful experience. While the gameplay itself provides enough elements to meet the most basic needs of the survival genre, DayZ ends up suffering the most in its environment. Namely, just how quickly it goes from ominous atmosphere to downright boring tedium.

Upon arriving at the game’s main menu, you have the option to watch an introductory video that provides the general requirements of survival you will need to be aware of; as well as a tutorial of the various meters important to maintaining your avatar’s health. These interactions include combat with the infected, as well as a simple understanding of picking up items and how the item management system works. In particular, regarding character stats, you’ll need to keep track of such things as hydration, calories, temperature, blood loss, and overall health.

You have the option to join a variety of servers, with locations open to the Americas, Asia, and Europe. Upon entering a server you are dropped into a random section of DayZ’s world, and this is where issues begin to arise.

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When starting out, the game does provide you some items like a fruit and drink of some sort, a stone knife, a road flare, and other miscellaneous items. From there you are open to explore as freely as you want. There are no other in-game objectives besides just attempting to survive. As you begin roaming the landscape of Chernarus, one can’t help but feel a sense of despair coming from the game world. The problem here is that while the atmosphere does play into the world’s narrative at first, it slowly becomes apparent that the game is devoid of substance.

You do have the opportunity to come across a map at some point in DayZ, but you don’t start out with one; since you are placed randomly within the world, there’s a big potential to aimlessly run around lost for far too long. Even though DayZ has its variety of small towns, warehouses, and other locales, a lot of its world is made of the wilderness; in my experience playing the game, I was dropped just outside of the woods, running in a single direction for great lengths of time and only coming across small structures there and then. Those structures can also be incredibly devoid of elements of interaction. While DayZ does take place in a setting where people have had to scavenge for goods, for a video game, I experienced a remarkable lack of interesting supplies during my gameplay.

The random placement, along with no map, also brings out a tremendous amount of frustration when playing at night. Thanks to the single road flare you are provided, you are able to see while you run around; the problem, however, is that as soon as that flare is out, and assuming you have no other means of light, forget trying to see. The night of DayZ is that of a remarkable darkness that practically blinds your vision. When my flare went out after long periods of roaming and looking for a light, I was left in the darkness having to guess my way through the environment. If you are by yourself at night, DayZ pretty much becomes impossible to move forward until the sun is out.

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In MMOs like World of Warcraft, or even Fallout 76, the player is put on a path to complete small objectives; this path guarantees that the player will not only have the chance to better understand the mechanics of the game, but that they will also slowly get to know the world. DayZ makes the assumption that you’ve played MMOs before and are fine with heading out on your own; this is cool and all for the realistic aspect of survival, but it’s also overwhelming for new and veteran players alike. The game is so big that you end up spending far too much time trying to look for supplies and figuring out where you are. Giving the player even a partially drawn map from the start would have made for an immense improvement in travel, and confronted issues like traveling at night.

And for the particular narrative that DayZ is rolling with, there’s little to no environmental storytelling involved. Other than blood smears on walls and floors and that of random items about, there isn’t a thing that gives you an idea of what life was like before the population dwindled. There’s potential in these kinds of games to provide depth to the world players embark through, and DayZ decides to skip out on any environmental context.

One locale of DayZ that is far more interesting than its vast wilderness is its city setting. Full of buildings and debris, the environment offers a variety of personal touches; that said, it’s disappointing that I was only able to stumble upon it once after days of playing.

Referring back to those stats you need to be aware of regarding survival, it’s essential that you maintain your character’s health with plenty of hydration, along with eating. In my experience with the game, I rarely came across food or drink, my primary means of the latter depending on if I could find a stream nearby to drink from. What I found for a good majority of items in DayZ were clothes; while clothing can be torn to create bandages when bleeding or help with resistance to bad weather, it became overwhelming after a while to come across a plethora of motorcycle helmets and rarely an actual means of keeping my character alive. Because of this, I found my character’s hydration levels constantly suffering and in need of attention I could not possibly give them.

After a few hours I finally did find some weapons. Ammo and guns are sparse, but you also have the opportunity to come across items such as an axe or knife. Melee weapons are good at taking out enemies without causing too much sound, that is if you actually come across them.

There and then you will stumble upon a single infected or a small group of them. While single enemies are easy to take down, a group provides a more adrenaline-driven challenge. However, for a world that is meant to have gone to ruin and be inhabited by infected threats, it’s odd to see so little during long periods of playing. And when pitted against a single threat, it’s also startling to see how dumb the AI can be at times; some enemies will charge you in 28 Days Later style, other times they will just stand there as you bash them over the head.

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Player interaction is a big component in DayZ; in meeting up with others, you can adventure through Chernarus together fighting the infected and setting up a camp. If you are going at the game by yourself, player interaction is that of a coin flip; while I experienced one player who was friendly in introducing themselves, I met a couple who made every effort to kill me.

The inventory system is generous in how you can manage all your items. The logic in how much weight you can handle is fair, even if the physical interaction of items is a little irksome. When holding a flare at night, you cannot hold a weapon at the same time; if an enemy is charging at you, you’ll need to put down said flare and then equip a weapon while an infected or another person is attacking you. Regarding other technical aspects, the game looks fine graphically, with random moments of clipping and delays in textures popping up at times.

The great shame here is that there are a lot of good ideas in DayZ, it’s just that they are poorly executed. The immense open world and survival mechanics all read really cool on paper, and at the start of one’s journey come off intriguing. As one dives deeper into DayZ, however, the realization washes over them regarding just how empty the experience feels. What could change this is if the developer decides to add more to DayZ, opening up the accessibility of the game. For now, DayZ is more of a disappointment in what could have been a great survival title.

DayZ review code provided by the publisher.

DayZ is out now on PS4, Xbox One, and PC.

Michael Pementel is a pop culture critic at Bloody Disgusting, primarily covering video games and anime. He writes about music for other publications, and is the creator of Bloody Disgusting's "Anime Horrors" column.

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Reviews

‘Leviticus’ Review – Desire Is Deadly in Affecting Horror Movie

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Leviticus review
Joe Bird appears in Leviticus by Adrian Chiarella. Photo by Ben Saunders.

The Old Testament’s Book of Leviticus has a lot to say about sin and uncleanliness, as well as ritual purity and atonement. The priests within the book, itself a moral metaphor, were frequently corrupt and evil. It’s the perfect title for writer-director Adrian Chiarella‘s powerful feature debut, a searing anthem against the corrosive nature of fear and bigotry.

Talk to Me‘s Joe Bird stars as Naim, a new kid in a small Australian suburb who’s introduced as he’s hanging out with new friend Ryan (Stacy Clausen). Playful ribbing quickly leads to romance between the pair, though one that can only carry on in secret. The town’s prominent religious community, of which Naim’s mom (Mia Wasikowska) is a devout member, doesn’t approve of homosexuality.

When the lovers are outed, they’re subjected to a strange conversion-therapy ritual by a mysterious outsider that marks them as targets for an unrelenting, malevolent entity that takes the form of whoever the afflicted desires most.

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If that sounds like It Follows, well, it sort of is. Chiarella refines the horror mechanics and metaphor with much sharper precision, ensuring that the scares and emotional gravity of Naim and Ryan’s terrifying predicament reach their intended impact. Here, the lust-induced curse gets very personal, with the entity offering tantalizing temptation in doppelgänger form, hoping to lure its victim close before brutally ripping them apart.

Chiarella uses this as a launchpad to immerse audiences in the horror of constantly living in fear for simply existing. And it’s here where Leviticus rises above its influences with clear purpose. Through the curse, fleeting moments of tender romance or comfort also breed fear and tension. A discreet kiss leaves the cursed vulnerable in more ways than one; safety doesn’t exist for two young teens simply trying to understand their burgeoning emotions.

Ultimately, though, Leviticus owes much of its success to the tremendous performances by its two leads. Joe Bird and Stacy Clausen deftly navigate all the emotional complexities of coming-of-age in a repressed setting that hits too close to home for any reprieve. While the tenderness beneath Ryan’s machismo endears, it’s Naim’s bone-deep fear and melancholy that’s as heartbreaking as it is compelling.

Naim is scared of his emerging feelings, and it’s exacerbated without any avenue to explore them without violent recourse. The threats aren’t just external but internal as well, and it’s those moral and emotional complexities that transform familiar horror formula into something that feels fresh and timely.

Chiarella injects a few potent jump scares that left the Sundance audience shrieking, but does struggle to stage some of the supernatural sieges. The cold open introduces a previous victim of the curse, but only mildly intrigues with its familiar staging. That’s not to say the entity isn’t scary, though; Clausen in particular is a terrifying menace when in Ryan’s doppelgänger form.

Keeping the focus on the star-crossed lovers was the smart and correct choice, but some plot elements feel underutilized by the succinct conclusion. Wasikowska plays her character too guarded, leaving many questions regarding her background and motives unanswered, even if the film gives her a satisfying end to her arc, for example. The rules, though simple and straightforward, can also bend at whim.

Still, Leviticus is a strong debut with an incisive voice at the helm. Chiarella coaxes poignant, layered performances out of his young leads that ensure that the social horror cuts deep, even if some of the more supernatural components occasionally feel stale. We care deeply about Naim and Ryan’s survival, making Leviticus a tense, atmospheric, and claustrophobic vision of young love in a hateful world.

Leviticus made its world premiere at Sundance and releases in theaters June 19, 2026.

Editor’s Note: This Sundance review was originally published January 24, 2026.

3.5 out of 5

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