Quantcast
Connect with us

Music

[Review] Blood Incantation Unleash Their Most Surreal Work With ‘Timewave Zero’

Published

on

[Review] Blood Incantation Unleash Their Most Surreal Work With 'Timewave Zero'

Death metal has historically relied on abrasive instrumentation to create atmospheres of overwhelming ferocity. Death metal is meant to stimulate; to move crowds and get the blood pumping. Much of the time, we don’t think of death metal as something that could be – psychedelic.

Over the course of heavy metal’s history, the definition of what is metal has been tested with the genre expanding into new forms of heavy music. Among those who have been at the front of this expansion is that of Blood Incantation. When it comes to their sound, there are very few that reach the level of sonic surrealness like the Denver, CO technical death metal outfit. With their 2015 release of Starspawn and their 2019 follow-up Hidden History of the Human Race, Blood Incantation has blended heavy instrumentation with that of the tranquil – creating a complex duality that is enchanting and haunting all at once.

To say that Blood Incantation follow-up on this quality in their latest release Timewave Zero would be an understatement. Timewave Zero is not so much the band playing to their metal prowess, but a greater representation of their artistry. Once again, the band pushes the envelope on what heavy music can be, creating a presentation brimming with surreal soundscapes and ominous tones.

To address the elephant in the room – Timewave Zero is an ambient record. However, in its roughly 40-minute runtime (a little over an hour if you count the bonus digipak track), the record pulls the listener into a cosmic journey very in tune with that of Blood Incantation’s previous material. Of the two songs that make up that 40-minute runtime, the band offers a grand demonstration of droning magic – one of rich atmosphere that lulls the listener into a place of tranquility and mystique. With familiar sonic touches reminiscent of such acts like Pink Floyd and Sun O))), the material of Timewave Zero unravels like a tapestry of dream-like wonder. This is an experience to vibe too, to allow one’s mind to escape and exist in the moment. To see what each musical touch elicits within the mind.

Ambient music like this very much involves a subjective element; what I experience in terms of tranquility may be different than what you or someone else experiences. But in what Blood Incantation has crafted through these songs is a remarkable expansion of their death metal material. Whereas past works may include a mix of brief and extended sections of ambient instrumentation, Timewave Zero shows the greater picture of cosmic wonder and eeriness the band can create. There may not be the typical metal instrumentation fans know them for – but in the domineering droning, distortion, and ambiance of this music – the band offers darkness that is alien and fascinating.

Blood Incantation is one of the most impressive bands working today in metal. On Timewave Zero, what the band trade-in are blast beats and killer riffs for an experience that transports the mind into a place of meditation; music that flows with a deceiving gentleness – calm, but also with an intensity that simmers, rises, and breaks through. Timewave Zero is a breathtaking work of psychedelic heaviness and a great chapter in heavy music’s ever-expanding definition.

blood incantation timewave zero

Michael Pementel is a pop culture critic at Bloody Disgusting, primarily covering video games and anime. He writes about music for other publications, and is the creator of Bloody Disgusting's "Anime Horrors" column.

Click to comment

Movies

‘The Lost Boys’ Musical Extends Broadway Run With North American Tour Set for Spring 2028

Published

on

The Lost Boys: A New Musical officially kicked off on Broadway last month, and Deadline now reports that the show’s Broadway run has been extended into next year.

The show was originally set to run through November, but Deadline reports that The Lost Boys: A New Musical “has released a block of tickets through Sunday, March 7, 2027.”

The news comes in the wake of The Lost Boys: A New Musical becoming the most Tony-nominated musical of the season with twelve nominations including Best Musical.

Additionally, “The Lost Boys will launch a North American National Tour in Spring 2028, at Playhouse Square in Cleveland. Additional cities and tour dates will be announced later.”

The Lost Boys: A New Musical is of course an adaptation of the 1987 horror classic from director Joel Schumacher, with the cast including Ali Louis Bourzgui as lead vampire David (originally played by Kiefer Sutherland), Maria Wirries as Star (originally played by Jami Gertz), and LJ Benet as the soon-to-be-turned Michael (originally played by Jason Patric).

The horror musical’s cast also includes Shoshana Bean as Lucy Emerson, Benjamin Pajak as Sam Emerson, Paul Alexander Nolan as Max, Jennifer Duka as Alan Frog, Miguel Gil as Edgar Frog, Brian Flores as Marko, Sean Grandillo as Dwayne, and Dean Maupin as Paul.

The Lost Boys: A New Musical is Directed by Michael Arden, featuring Music and Lyrics by The Rescues, Book by David Hornsby & Chris Hoch, Story by James Jeremias & Janice Fischer, and Produced by James Carpinello, Marcus Chait & Patrick Wilson (The Conjuring) by special arrangement with Warner Bros. Theatre Ventures.

When a mother and her two teenage sons move to Santa Carla in desperate need of a fresh start, they soon uncover the darker side of this sunny coastal community. While Lucy tries to piece her family’s life back together, Michael keeps pulling away in search of belonging.

As he finds connection with a local rock band and its charismatic leader, his younger brother Sam comes face-to-face with a terrifying reality: When night falls, Michael’s new friends are even more dangerous than they first appeared.

Joel Schumacher directed the original The Lost Boys vampire movie in 1987, wherein two brothers move to a new town and discover that the area is a haven for vampires.

Continue Reading