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‘The Nun II’ Review – Bigger, Busier Sequel Can’t Atone for Narrative Sins

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The Nun II Review

ConjuringVerse sequel The Nun II sets out to atone for the biggest sin committed in 2018’s The Nun: an emphasis on atmospherics and lore over the sinister scares that made Valak (Bonnie Aarons) an instant fan favorite in The Conjuring 2The Nun II dials up the fear factor, wasting no time establishing the merciless nature of Valak as it takes the “more is more” approach to everything from set pieces to mythology. It makes for a livelier entry that stumbles in its excess.

Set four years after the events of The Nun, Sister Irene (Taissa Farmiga) now lives the quiet convent life as she works hard to put Romania behind her. Helping to distract her is newcomer Sister Debra (Storm Reid), a rebellious young nun who’s taken to Irene’s unwavering patience. But her fellow survivor, Maurice (Jonas Bloquet), didn’t escape Romania unscathed and has unwittingly become a pawn to Valak, even as he establishes a life as a boarding school groundskeeper.

A trail of bodies across Europe emerges, and, despite her wishes, Sister Irene gets tasked with performing yet another miracle to thwart the demonic forces at play.

The Nun II cast

Director Michael Chaves (The Conjuring: The Devil Made Me Do It) opens the sequel with an attention-grabbing scare sequence that introduces Valak’s latest reign of terror and the stakes. After a harrowing death or two, The Nun II splits its focus between Maurice and Sister Irene’s dueling storylines to set the stage for an inevitable convergence and confrontation. It’s here where screenwriters Ian Goldberg & Richard Naing (The Autopsy of Jane Doe) and Akela Cooper (M3GAN, Malignant) – based on Cooper’s story – expand the mythology. Plotting takes precedence over narrative as Sister Irene’s quest takes her across Europe in search of Valak and Valak’s purpose. Chaves breaks up the lore-building with a few scares to maintain pacing. Still, characterization gets handled in broad, superficial brushstrokes as the sequel is more interested in building the mystery behind Valak’s machinations.

The shift into quest mode puts Valak’s early vicious streak on the back burner, diminishing the demonic nun’s presence as it overcomplicates a relatively simple mission. Chaves does his best to distract with more expansive set pieces and a satisfying climactic showdown but struggles with narrative balance. Sister Irene, Debra, and Maurice get swallowed whole by an excess in lore, and the heavy-handed exposition frequently threatens to detract from the pacing and scares. The Nun II also lets itself off the hook of the previous film’s final coda, disrupting the larger continuity. Not even a fan service mid-credit scene can illuminate how this sequel fits into the larger universe by the time this sequel is said and done.

The Nun II Maurice

The Nun II is deceptive in that it offers more of the same but swaps out atmosphere for a busier body count, expansive set pieces, and crowded plotting. That alone will be enough for those seeking scares and a few extra details behind the divine and demonic powers of Sister Irene and her blasphemous foe. But the more crowded sequel struggles to maintain Valak’s sinister presence and the scare crafting. It also squeezes out the characters themselves as the mythology takes center stage. While Bonnie Aarons gets more room to shine, barely, The Nun II follows in its predecessor’s footsteps in its inability to capture what made Valak so scary in the first place.

The Nun II releases in theaters on September 8, 2023.

2.5 out of 5 skulls

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Books

Stephen King’s ‘You Like It Darker’ Finds Beauty and Hope in Nihilistic Horror [Review]

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Stephen King may be known for epic novels like It and The Stand, but many Constant Readers first met the Master of Horror through his short fiction. Beginning with the iconic 1978 collection Night Shift, the best-selling author has been dazzling us for decades with short stories overflowing with sickening gore, fantastical creatures, meticulous violence, and transcendent joy. King follows suit in You Like It Darker, a jaw-dropping collection of twelve terrifying tales, five of them previously unpublished. Inspired by Leonard Cohen’s “You Want It Darker,” the outstanding tome dives head-first into the brutal randomness of pain and destruction – a “lullaby for suffering” only King can deliver. 

The collection kicks off with “Two Talented Bastids,” a poignant story about an elderly author and his less talented son. Laird Carmody is a small-town Mainer who prizes his quiet life among the locals – a thinly veiled reference to King himself. The sprawling tale eventually uncovers a chance encounter that may hold the key to creative power. King’s most meta narrative to date, the story features references to the author’s real life including frequent visitors to his famous front gates, recollections of press-tour engagements, and allusions to longer “door stopper” novels. We’re also treated to line edits and sample paragraphs that offer additional peeks into the accomplished creator’s personal process. It’s a winding road both eerie and aspirational that sees the world-famous author grapple with his own unparalleled success while confronting us with the horror of unfulfilled dreams.

Most notable in this impressive collection, “Rattlesnakes” revisits one of King’s most brutal books. A sequel to the 1981 novel Cujo, this gut-wrenching tale catches up with Vic Trenton as he mourns for his late wife Donna – the flawed, but courageous mother who once battled a rabid dog to save the life of her child. On Rattlesnake Key, Vic meets another grieving mother still recovering from the horrific death of her own twin sons. Each day she lays out matching children’s clothes then wheels their long-dead spirits around in a squeaky pram while insisting that while she knows they’re not really there … sometimes they are. Pairing perfectly with the grisly story of a rabid dog, “Rattlesnakes” features moments of stark terror and shocking gore. Both heartbreaking and horrific, this sun bleached novella delivers a bloody bite reminiscent of King’s early career along with a harrowing warning against holding on to the past. 

In addition to Cujo, King references iconic pieces of his extensive catalog. Easter Eggs abound as we revisit Derry, Castle Rock, and Dark Score Lake, sprinkled among familiar monikers and other deep cut references. King’s faux tabloid Inside View makes an appearance along with another haunting locale. Duma Key features prominently in two stories, making a literary return trip feel within tantalizing reach. The cover’s sinister alligator references “Laurie,” a touching story that careens headfirst into terror. Most of the collection’s horror occurs in bright daylight, reminding us that while we may survive the dark, we’re never truly safe. It’s King’s version of a beach read – bleak horror unfolding in the relentless sunshine. 

Falling fourth in the collection, King’s other novella is slightly less successful. “Danny Coughlin’s Bad Dream” chronicles an extended nightmare as the titular janitor dreams about, then discovers, a dead body. Playing with the horrors of the criminal justice system, King follows a wrongfully accused man tormented by an obsessive detective convinced of his guilt. Similar to his 2018 novel The Outsider, the lengthy story unfolds like a confounding episode of Law & Order, eschewing supernatural scares for “ripped from the headlines” horror. King hints at racial and gender-based discrimination, but stops short of fully examining the larger implications of this disturbing premise. 

While none of the collection’s twelve tales fall flat, some feel more developed than others. “Finn” and “Red Screen” both present ominous ideas, but offer little more than snapshots of larger terror. “On Slide Inn Road” and “Willie the Weirdo” follow unpleasant older men bonding with a younger generation – King’s version of generational trauma. Harkening back to the unflinching horror of the author’s earlier career, both are admittedly fascinating in their sheer nastiness and cruelty, however, they lack the emotional punch of the collection’s longer tales. “The Fifth Step” will likely prove terrifying to those in Alcoholics Anonymous while “The Turbulence Expert” will play on existing fears of airline travel. However, both stories feel slight and may not evoke the same powerful response in readers without similar life experiences. 

The collection’s penultimate tale may also be its most classically scary. “The Dreamers” follows a magician turned mad scientist who documents research of a world beyond our own. Pure Lovecraftian horror, grisly nightmares reach into the waking world as test subjects dream of an eerie red house with a green door. It’s shocking horror and nihilism at its best, reminiscent of King’s 2014 novel Revival. “The Dreamers” confronts us with unsettling answers to what it all means and a frightening reminder that ignorance may provide safety as well as bliss. 

You Like It Darker concludes with one of the most beautiful and upsetting stories of King’s career. “The Answer Man” follows a likable everyman through his adult life marked by three encounters with a mysterious salesman offering answers to any question. But what is the true cost of ultimate knowledge? Does peering into the future give us power or pain? A perfect capper to this poignant collection, King fittingly references a question first presented in his darkest novel, Pet Sematary. What is the meaning of life and what can we expect at the end of our days? King attempts to provide what answers he can while grappling with larger truths forever out of reach.

A bloody tapestry of nihilism and hope, You Like It Darker makes peace with the randomness of suffering and the horror of human fragility. 

You Like It Darker will be released on May 21, 2024.

4.5 skulls out of 5

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