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‘We Are Zombies’ Fantastic Fest Review – Zombie Comedy Oozes Charm (Among Other Things)

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We Are Zombies Fantastic Fest Review

We seem to have run the gamut of the zombie apocalypse film. Like the possession film, it’s getting to be more and more difficult for filmmakers to breathe new life into the sub-genre, with only a few managing to eke out moments of true inspiration. Enter Canadian filmmaking trio RKSS‘ (Turbo Kid, Summer of 84) horror comedy We Are Zombies, which introduces a world in which zombies exist but do not crave brains or human flesh. In fact, depending on the circumstances of their death, they may still be fully functioning, and even have the ability to speak. Because of this, zombies are now second-class citizens given the politically correct label of “living-impaired,” with their civil rights constantly under attack. We’ve seen more benign zombie apocalypses like this in things like Warm Bodies, so it’s not as if this is completely original territory, but it’s still nice to see something different than the doom-and-gloom post-apocalyptic wasteland.

Based on Jerry Frissen and Guy Davis’ French comic book series The Zombies That Ate the WorldWe Are Zombies sees slackers Karl (Alexandre Nachi), his sister Maggie (Megan Peta Hill) and their friend Freddy (Derek Johns) make a living by ripping off the super-evil Coleman Corporation, which is making money off the living-impaired by promising them a sweet retirement plan when in actuality they’re performing deadly experiments on them. Unfortunately, Coleman Corp. catches on to their con and kidnaps Karl and Maggie’s grandmother, holding her for a $25,000 ransom. The trio must now find a way to earn the money back before good ol’ granny is killed.

If all of this sounds like a lot for a slight horror comedy, you might be surprised to know that nearly all of it works. What’s most impressive about We Are Zombies is the world building that RKSS  fits into its brief 80-minute runtime, making sure that the film gets its point across without overstaying its welcome. Little details like zombie fetishists using a site called ZILF for sexual gratification, or a sly reference to South Park’s season 11 episode “Night of the Living Homeless,” in which actual zombies ask the living for spare change, do wonders for this alternate universe. Almost every scene introduces a new aspect of this world that makes you want to spend more time in it, if only to see what clever idea the writing/directing trio comes up with next.

Social commentary is present, but the film never beats you over the head with it. RKSS opts to keep things light and frivolous for those who don’t want to be preached to. Still, casual mentions of the term “zombophobe” and labeling grave-robbings as hate crimes guarantee that it’s always going to be in the back of your mind. None of it is particularly deep, which keeps We Are Zombies from entering “great” territory, but it’s all quite amusing.

We Are Zombies is a joke-a-minute film, and while not every joke lands (the hit-to-miss ratio is about 75/25), it’s all delivered with such earnestness and a helpful dose of charm that even when something falls flat you can’t help but have a big grin on your face. It’s that charm that helps We Are Zombies to overcome its faults. This isn’t a film that will inspire a ton of belly laughs, but you’ll be chuckling throughout.

Lest you think that the comedy aspect of the film means that RKSS goes light on the gore: fear not. We Are Zombies is loaded with gore gags (almost all of which are done practically). Blood flows, intestines are wrapped around car tires and bodies explode. The makeup work on the zombies is equally impressive, with different types of zombies, including a “boss-level” amalgamation of body parts, being introduced every now and then.

We Are Zombies is a delightful if slight, entry into the zombie sub-genre. It never goes beyond its surface-level observations, but it also doesn’t have such lofty ambitions, so it’s hard to hold that against it. Plus, it’s so goddamn charming you’re going to have a difficult time not having a complete and utter blast with it.

We Are Zombies made its international premiere at Fantastic Fest. Release info TBA.

3.5 out of 5

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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The Birthday Murders: Viral Marketing Website Launches for ‘Longlegs’

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NEON has been absolutely slaying the marketing game for their horror output this year, and they’re kicking the Longlegs campaign into high gear with one more month until release.

A cryptic ad in The Seattle Times today (seen below) has led clever horror fans to discover TheBirthdayMurders.net, the brand new official viral marketing website for Longlegs.

The in-universe website details the victims of the serial killer known as Longlegs (Nicolas Cage), described as a “Satan-worshipping psycho” who has terrorized families throughout the Pacific Northwest for nearly three decades.

The website details, “A bloody trail of bodies here in the great state of Oregon attests to the depraved savagery of this one-of-a-kind serial killer. With over three dozen victims that we know of, LONGLEGS is one of the most prolific mass murderers ever to have graced the region, and his gruesome endeavors are the stuff of nightmares. At first, all of the killings appeared to be straightforward murder-suicides: the handiwork of average men who suddenly snapped and slaughtered their wives and children. But a series of eerie coded messages left at the crime scenes indicate that someone – or something – is influencing these horrific crimes. The cryptic letters are signed by someone calling himself LONGLEGS.”

“With thirty-eight kills to his name, LONGLEGS has torn apart the lives of eleven different families throughout the Beaver State. His victims were good people: honest fathers, decent mothers, innocent little children.”

The website is loaded with secrets, clues, and gruesome (faux) crime scene photos, and you might even find a mention of yours truly nestled in there. Poke around. Stay a while.

Longlegs arrives in theaters July 12.

The upcoming serial killer horror movie marks the return of director Osgood Perkins (The Blackcoat’s Daughter, Gretel & Hansel). Nicolas Cage stars alongside Maika Monroe, with Monroe playing an FBI agent and Cage playing a serial killer.

In the film, “FBI Agent Lee Harker (Monroe) is a gifted new recruit assigned to the unsolved case of an elusive serial killer (Cage). As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.

The film is rated “R” for “Bloody violence, disturbing images and some language.”

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