Horror Reviews
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[Review] ‘The Hollow One’ Lives Up to Its Name
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[Review] Presentation Only Goes So Far In ‘Condemned’
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[Review] ‘Hans Crippleton’ Plays to the Troma Crowd With Offensive Humour and Heart
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[Review] ‘Krampus: The Reckoning’ is Getting a Lump of Coal For Christmas!
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Halloween Double Murder Podcasts: Which is the Trick and Which is the Treat!?
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Double Murder Ep 62: Wes Craven Special – Last House On The Left (Original vs Remake)
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[Review] ‘Scouts Guide to the Zombie Apocalypse’ Falls Short of its Homages
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[Review] “American Horror Story: Hotel” – ‘Devil’s Night’ Makes For A Killer Halloween Dinner
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[TV Review] “iZombie” Episode 2.04: ‘Even Cowgirls Get the Black and Blues’
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[Review] ‘Lumberjack Man’ Surprises With Charming Laughs and Lots of Gore!
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[Review] ‘Patchwork’ Sews Horror and Comedy Together
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[Review] Too Many Elements in Storytelling Undermine Screamfest’s ‘Naciye’
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[Short Film Review] ‘The Challenger’ Impresses With Kung Fu Action, But Lacks Story
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[Blu-ray Review] ‘The Larry Fessenden Collection’ – 4 Films from the Mind of a Genius
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[Review] ‘Sisters of the Plague’ Transcends Possession
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[Review] ‘Paranormal Activity: The Ghost Dimension’ is an Insult to Fans of the Franchise
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[Review] ‘The Last Witch Hunter’ is a Silly and Mindlessly Entertaining Film
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[Review] ‘Paranormal Activity: The Ghost Dimension’ is a Disappointing Final Entry
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[Review] ‘The Girl in the Photographs’ Fails to Develop a Fleshed Out Identity
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[Review] ‘Martyrs’ Remake Fails to Pack Same Punch as Original
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[Review] ‘Scream Queens’ Slumber Party Massacre
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[Short Film Review] ‘This House is Not Empty’ Impresses With Minimalist Visuals and a Deep Narrative
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[Short Film Review] ‘Dead Air’ is Brief, Smart and Mesmerizing!
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[Blu-ray Review] Almost 100 Years Later and ‘The Phantom of the Opera’ is Still Perfect