Horror Reviews
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[Review] Graphic Novel ‘Tender’ Is Brilliant Feminist Body Horror That Will Make You Squirm & Scream
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“The Walking Dead: The Ones Who Live” Episode 3 Review – This Series Continues to Surprise and Delight
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‘Things Will Be Different’ SXSW Review – Family Bonds Get Tested in Engaging Sci-Fi Thriller
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‘Kryptic’ SXSW Review – A Goopy, Esoteric Cryptozoology Psycho-Thriller
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‘Dead Mail’ SXSW Review – An Offbeat, Lo-Fi ’80s Thriller
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‘Family’ SXSW Review – Arthouse Horror Movie About Grief and Fear Induces Visceral Chills
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‘Desert Road’ SXSW Review – A Roadtrip Thriller with an Affecting Sci-fi Twist
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‘Y2K’ SXSW Review – A24’s Teen Comedy-Horror Throws a Party Worth Rewinding the Clock For
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‘Birdeater’ SXSW Review – A Nail-Biting Deconstruction of Identity and Abuse
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‘Oddity’ SXSW Review – A Creepy Tale of Mannequin Horror and Supernatural Karma
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‘The Piper’ Review – ‘Rift’ Director’s Fairy Tale Horror Movie Plays a Deadly But Familiar Tune
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‘Drag Me to Hell’ – New Australian Blu-ray Celebrates 15 Years of Sam Raimi’s Horror Return [Review]
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‘Imaginary’ Review – Teddy Bear Horror Movie Plays It Too Safe and Toothless
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‘Frogman’ Review – Found Footage Oddity Finds a Bizarre Monster and Delivers on Its Promises
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Netflix’s ‘The Program: Cons, Cults and Kidnapping’ Offers Disturbing Deep Dive into a Destructive Institution [Review]
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‘The Outlast Trials’ Review – An Addictive, Uniquely Depraved Multiplayer Horror Video Game
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‘Pacific Drive’ Review: Unique Survival Horror Driving Sim Takes You On a Road Trip from Hell
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‘Faceless After Dark’ Review – ‘Terrifier’ Star Jenna Kanell Slashes Toxic Fandom in Meta Horror Movie
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Lifetime’s ‘Lonely Crime Fanatic’ Lacks Perspective on Our Obsession with True Crime [Review]
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“The Walking Dead: The Ones Who Live” Review – Rick Grimes Returns in Exceptional, Emotional Premiere
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Tyler Perry’s Erotic Netflix Thriller ‘Mea Culpa’ Struggles with Tone [Review]
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‘Stopmotion’ Review – An Artist’s Descent Through Visceral Horror and Immersive Stop-Motion
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‘Monolith’ Review: Minimalist Horror Movie Starring Lily Sullivan Effectively Creeps Under Your Skin
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‘No Way Up’ Review – Hybrid Shark Film Is More Like ‘Deep Blue Zzz’
