Horror Reviews
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“The Walking Dead: The Ones Who Live” Review – Rick Grimes Returns in Exceptional, Emotional Premiere
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Tyler Perry’s Erotic Netflix Thriller ‘Mea Culpa’ Struggles with Tone [Review]
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‘Stopmotion’ Review – An Artist’s Descent Through Visceral Horror and Immersive Stop-Motion
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‘Monolith’ Review: Minimalist Horror Movie Starring Lily Sullivan Effectively Creeps Under Your Skin
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‘No Way Up’ Review – Hybrid Shark Film Is More Like ‘Deep Blue Zzz’
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‘Darkman’ 4K Review – Sam Raimi’s Horror-Superhero Movie Is Better Than Ever in 2024
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‘She’s Obsessed with My Husband’ Is a Perfect Lifetime Film [Review]
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‘Alice in Terrorland’ Review – ‘Alice in Wonderland’ Horror Movie Isn’t Great But It’s Better Than Expected
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‘The Truth About Jim’ Review – ‘Abducted in Plain Sight’ Director’s New True Crime Docuseries for Max
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‘Double Blind’ Review – Medical Horror Delivers Potent Cocktail of Suspense and Style
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Lifetime Thriller ‘Tall, Dark, and Dangerous’ Is a Decent Valentine’s Day-Themed Stalker Story [Review]
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‘Lisa Frankenstein’ Review – Diablo Cody’s Sugary Sweet Zom-Com Captures the ’80s
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‘Departing Seniors’ Review – Middling Teen Slasher Can’t Slay Its Own Shortcomings
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‘Home Safety Hotline’ Video Game Review: Customer Service Meets Analog Horror
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‘A Cut Below’ Book Review – A Joyful Celebration of the Weirdest B-Movies from the 1950s-1980s
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‘Trunk – Locked In’ Review – Prime Video’s Breathless Survival Thriller Is a Claustrophobic Nightmare
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‘Kidnapping Inc.’ Sundance Review – Frenetic Caper Serves Up Messy Fun
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‘Handling the Undead’ Sundance Review – A Haunting Meditation on Grief
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‘Impulse’ Blu-ray Review – Grindhouse Releasing Restores Obscure ’70s Thriller Starring William Shatner
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‘The Moogai’ Sundance Review – The Monster is a Metaphor (Again)
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‘In a Violent Nature’ Sundance Review – Arthouse Slasher Frames Gory Carnage From Killer’s Perspective
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‘The Seeding’ Review – Arthouse Horror Movie Gets Lost in the Desert
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‘Scream Queen’ Blu-ray Review – Lost Linnea Quigley Meta Slasher Finally Now Available
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‘Krazy House’ Sundance Review – A Grating Exercise in Empty Violence and Shock Value