Horror Reviews
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‘The Black Demon’ Review – Supernatural Spin on Shark Horror Can’t Keep the Narrative Afloat
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Panic Fest 2023 Capsule Reviews: From Hallucinogenic ‘Black Mold’ to A24’s ‘Medusa Deluxe’
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‘Clock’ Review – Hulu Original Horror Movie Puts Psychological Spin on Baby Fever
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‘Lovers Lane’ Blu-ray Review – Arrow Video Gives New Life to Obscure Direct-to-Video Slasher Movie
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Blind Cyclops Books’ ‘Godfly’ Is a Deranged Storybook for Horror Hounds [Review]
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“Yellowjackets” Season 2 Review – Episode 5 Transitions the Series Toward a New Type of Horror
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‘Beaten to Death’ Panic Fest Review – Ultra-Violent Survival Horror Film More Than Earns Its Title
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‘Evil Dead Rise’ Review – Gnarly Crowd Pleaser Forges Bloody New Ground for the Franchise
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‘The Artifice Girl’ Panic Fest Review – Sci-fi Chamber Piece Unfurls Deceptively Complex Tech Parable
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‘King on Screen’ Panic Fest Review – A Touching But Surface Level Documentary Celebrating Stephen King Adaptations
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‘Dead Island 2’ Review – Zombie-Slaying Sequel Fully Satisfies Our Appetite for Destruction
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“From” Season Two Review – Relentless Horror Escalates as Hope Diminishes in Mystery Box Series
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‘The Tank’ Review – Simple Premise Showcases Great Creature Effects
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‘Rewind or Die’ Review – Video Game Combines Slasher Horror and Retro Video Store Simulator
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“Yellowjackets” Season 2 Review – Episode 4 Sharpens the Dividing Lines and Rips Open “Old Wounds”
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‘Infernax: Deux or Die’ Review – Modern 8-bit Throwback Is Now a Must for Co-Op Players
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‘The Pope’s Exorcist’ Review – Russell Crowe Is the Saving Grace in Generic Exorcism Horror Movie
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‘Renfield’ Review – Vampire Comedy Delivers Gory Fun and Anemic Storytelling
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‘Beau is Afraid’ Review – Ari Aster’s Latest is a Surreal Odyssey Untethered from Genre or Reality
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‘Night of the Killer Bears’ Review – Thai Slasher Is a Highlight Reel of Gory Kills
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“Yellowjackets” Season 2 Review – Episode 3 Deepens the Supernatural Mysteries
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‘Sons of the Forest’ Early Access Review: An Evolved Yet Imperfect Trip Back into ‘The Forest’
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‘You’re Killing Me’ Review – An Uneven But Entertaining Ethical Thriller
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‘Godless: The Eastfield Exorcism’ Review – Possession Horror Through a Grueling True Crime Lens