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‘Visitors’ – Ultra Gory Japanese Anthology in the Vein of ‘Evil Dead’ Heads to SCREAMBOX Tomorrow!

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SCREAMBOX and Midnight Pulp are excited to unleash Visitors (The Complete Edition), Kenichi Ugana‘s Japanese anthology movie that opens with one of the goriest shorts we’ve ever seen.

In the 60-minute splatterfest, which hits SCREAMBOX tomorrow…

“A rock ‘n’ roll band drop in unannounced on a friend and find themselves plummeting into a wackadoo reverie of monsters and mayhem.”

After premiering at this year’s Fantastic Fest, Visitors makes its way to VOD platforms and SCREAMBOX before heading to Midnight Pulp at a later date.

Get ready for Evil Dead-esque gory mayhem in Visitors. Dig the trailer…


Also recently added to SCREAMBOX is Door, an extremely rare home invasion slasher movie from 1988 that has never been screened outside of Japan and has just been remastered. The final 20 minutes are bonkers!

In the film…

“A lonely housewife is held hostage in her own apartment by an increasingly deranged door-to-door salesman in this forgotten home invasion masterpiece.”

Directed by Banmei Takahashi, the story behind Door is extremely interesting.

Many of you may remember Director’s Company, a Japanese production company from 1982-1992 that was made up of many legends of Japanese cinema including Kiyoshi Kurosawa, Sogo Ishii, Shinji Somai, and others.

They made many amazing Japanese films but also broke ground for genre cinema in Japan including the cult classic Evil Dead Trap. Before Evil Dead Trap they made the first Giallo film in Japan… Door. Interestingly, Kiyoshi Kurosawa directed the film’s sequel!

Here’s the trailer…

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Mike Flanagan in Talks to Direct the Next ‘Exorcist’ Movie

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Mike Flanagan Exorcist

Recent comments from producer Jason Blum suggested that a retool was in order when last year’s The Exorcist: Believer wasn’t as successful as Blumhouse and Universal hoped. That certainly seems to be the case, as Deadline reports tonight that Mike Flanagan is in talks to direct the next Exorcist movie.

Director David Gordon Green was initially on board to direct an entire trilogy of new movies in the franchise, with The Exorcist: Believer intended to be only the first film in that three-film sequel series. Originally set to hit theaters on April 18, 2025, sequel The Exorcist: Deceiver was delayed when Green left the project.

If talks come to fruition, Flanagan will take over, likely steering the franchise in a new direction.

The first film in the trilogy was released theatrically on October 13, 2023, with Leslie Odom Jr. starring alongside a returning Ellen Burstyn from the original classic.

In Believer, “Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Leslie Odom, Jr.) has raised their daughter Angela (Lidya Jewett) on his own.

“But when Angela and her friend Katherine (Olivia Marcum) disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before.”

The final moments of The Exorcist: Believer brought Linda Blair’s Regan MacNeil back into the fold, seeming to suggest that the legacy character could return in future installments.

As for Flanagan, the horror filmmaker has Life of Chuck on the way. Flanagan previously helmed Stephen King adaptations Doctor Sleep and Gerald’s Game, and he’s also known for titles including Ouija: Origin of Evil and Oculus, along with the Netflix horror shows The Haunting of Hill HouseThe Haunting of Bly Manor, and The Fall of the House of Usher.

Stay tuned for more as we learn it.

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