Movies
SCREAMBOX’s ‘Street Trash’ Trailer Delivers “Demented Gory Fun”!
Melt the rich.
The new Street Trash is here and it couldn’t be more timely.
Set to premiere tonight at the New Beverly Cinema (tix), Bloody Disgusting is excited to share the face-meltingly gory trailer debut for our new take on the 1987 cult classic Street Trash, which hails from Fried Barry director Ryan Kruger.
“In the year 2050, global economic turmoil has destroyed the middle class in Cape Town, South Africa, which is now divided between the ultra-rich and the displaced. Ronald and a group of fellow houseless friends uncover a plot by the local government to ‘wash away’ the houseless population with a sinister chemical agent called ‘V.’ Now, they must risk everything to expose the truth and resist a society that’s determined to erase them.”
The SCREAMBOX Original will be coming to SCREAMBOX and VOD platforms next month. While you wait for Terrifier 3, get a full year for only $41.40 right now (promo)!
“Our reimagining of Street Trash takes place in Cape Town, South Africa where the growing divide between rich and poor has changed the world as we know it,” Kruger previously stated. “I was a huge fan of the original Street Trash when I was a kid, and I couldn’t be more thrilled to introduce a whole new generation to the melted gonzo goodness that made the original such a classic.”
Shot entirely on 35mm, the film is produced by Justin Martell and Matt Manjourides of US-based studio Not the Funeral Home (“The Last Drive-In With Joe Bob Briggs”), with original Street Trash producer Roy Frumkes and director Jim Muro, along with Bad Dragon and genre film restoration outfit Vinegar Syndrome (New York Ninja), all serving as Executive Producers. Chris McGurk, Brandon Hill, Brad Miska, and Yolanda Macias Executive Produce for Cineverse.
The 1987 cult classic Street Trash was a darkly comedic and gritty horror film that has earned a dedicated following over the years due to its distinct style and unapologetically bizarre approach to storytelling. Directed by J. Michael Muro, the movie was set in the decaying and squalid streets of Brooklyn, New York as it delves into the lives of various eccentric characters, each struggling to survive in their harsh and unforgiving environment.
“I’m excited to reinterpret the original story, update it to better reflect the times we live in and give it a new and original spin,” continued Kruger. “While our reimagining features new, exciting plot elements that give the film many bizarre twists and turns, the core of the film lies with our diverse and unique cast of characters. As a director, I am very character-centric and I can’t wait to see our strange and hilarious ensemble on screen together as they navigate the hostile streets of Cape Town. Our version of Street Trash will be raw, hilarious, packed with vibrant characters and multi-colored explosions of gooey greatness.”
Check out the trailer below for the brand new Street Trash experience that director Neil Marshall (Dog Soldiers, The Descent) calls “demented gory fun.”
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”
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