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Social Horror and 7 Films to Watch Ahead of ‘Spiral’

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Social thrillers or horror movies use the genre to highlight oppression in various forms. Beneath the scares lies a far more horrifying reality. In the 1995-set Spiral, a gay couple moves their teenage daughter to a new neighborhood, searching for a better life. Their friendly neighbors throw them a welcoming party, teasing something sinister lurking just beneath the surface of warm smiles. The more they uncover homophobic reactions, the more a decade-plus long mystery unravels, putting the family’s lives at risk.

Jeffrey Bowyer-Chapman and Ari Cohen star as Malik and Aaron, and Jennifer Laporte plays daughter Kayla. Spiral is directed by Kurtis David Harder and written by Colin Minihan and John Poliquin. Upon its initial release on Shudder, our own John Squires called it “a damn good horror movie, gripping from start to finish and home to surprising turns and a devastating mythology all its own. And it’s not afraid to be as dark and emotionally gut-punching as it needs to be to drive its point home.”

Spiral comes home on DVD and Blu-ray on January 19, 2021, from RLJE Films. In anticipation, here are seven social horror films to watch ahead of its release.


Parasite

Bong Joon-ho’s Oscar-winner throws a few different genres in a blender to create a unique depiction of class inequality. A newly formed symbiotic relationship between the poor Kim family and the wealthy family they serve derails once greed and class discrimination take root. Parasite’s scathing critique shifts through dark comedy, thriller, and horror with impressive ease.


Society

Bill Whitney (Billy Warlock) has it all thanks to his upper-crust upbringing, yet he can’t shake the feeling that he can’t trust his family. Unnerving clues begin to pile up, revealing that perhaps Bill isn’t wrong. It turns out that he’s adopted, and his blue blood family comes from a society that prefers to eat the poor… literally. Brian Yuzna’s film takes on classism in the goopiest, slimiest way, delivering an unforgettable climax courtesy of surreal special makeup effects by Screaming Mad George.


The People Under the Stairs

Fool and his family are getting evicted from their apartment in an impoverished L.A. neighborhood. Fool accompanies two older friends from the area to sneak into their landlord’s home and steal enough cash to save their homes. What they don’t realize until it’s far too late, however, is that Mommy (Wendy Robie) and Daddy (Everett McGill) Robeson are far more deranged than your average landlord. Fool will have to outlast the Robeson’s and their cannibalistic children. Wes Craven’s horror-comedy achieves both biting commentary and bonkers entertainment.


Vampires vs. The Bronx

In this gateway horror-comedy, a group of kids from the Bronx grows concerned over recent closures of beloved neighborhood fixtures. New real estate and ownership indicate a significant change, but the kids realize the new owners are bloodthirsty vampires. It’s up to the young friends to save the day. Written and directed by Osmany Rodriguez, Vampires vs. The Bronx uses vampires as the big bad in this gentrification tale, told in the same lighthearted style as Attack the Block. The two would make an excellent social thriller double feature.


His House

Husband-and-wife Sudanese refugees Bol (Sope Dirisu) and Rial (Wunmi Mosaku) have been through more than most endure in a lifetime. They’ve fled their war-torn village, crossed the ocean, survived a degrading stint in a U.K. detention facility, and have been finally granted an opportunity for housing in their new country. The home may be large, but they face hostility in and outside its moldy walls. Remi Weekes’s feature debut transforms the refugee experience into a terrifying haunted house horror film, with expertly crafted scares. The supernatural focus is on Bol and Rial’s past demons, but they’re unable to flee thanks to an oppressive new setting that treats them like unwanted criminals.


Candyman

Grad student Helen Lyle (Virginia Madsen) is researching urban legends, and it takes her to dangerous housing project Cabrini-Green, whose residents are terrified of the Candyman (Tony Todd) legend. Based on Clive Barker’s “The Forbidden,” Bernard Rose’s racially charged adaptation serves as a chilling precursor to Get Out. The strength of Todd’s boogeyman could carry a horror movie on its own merit, but set against the backdrop of Cabrini-Green, Candyman becomes something far more complex and enduring.


Get Out 

Get Out

Jordan Peele’s feature debut and Oscar-winner screenplay reinvigorated social horror in such a massive way that, of course, you should start here. Daniel Kaluuya stars as a photographer who visits his white girlfriend’s family for the weekend, only to discover that perhaps they’re not as progressive as they claim. Is there something nefarious beneath their warmth, or is it all in his head thanks to nerves? Peele mixes biting satire with edge-of-your-seat suspense, coiling the tension tighter until a go-for-broke horror finale that’ll leave you gasping and cheering. It’s a trailblazer in the truest sense.


Spiral arrives on DVD and Blu-ray on January 19, 2021.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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