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Prepare for ‘The Last Matinee’ By Revisiting These 8 Brutal Moments of Eye Trauma!
The next Bloody Disgusting x Dark Star Pictures collaboration unleashes a gory neo-Giallo set at cinephiles’ most coveted space; the movie theater. In a delightfully macabre meta-twist, The Last Matinee (Al Morir La Matinee) slices its way to Digital HD and VOD platforms on August 24th (linktr.ee).
In The Last Matinee, the audience attending the last showing of a horror film in a small downtown cinema is terrorized by a murderer who begins to pick them off, one by one. The only person to notice that something strange is going on is the projectionist’s daughter.
Written and directed by Maxi Contenti (Muñeco viviente V, Neptunia), the film stars Luciana Grasso (El Secreto de Julia), Ricardo Islas (El Que No Corre Vuela, Bailiwick), Julieta Spinelli, Franco Duran and Pedro Duarte.
The slickly shot neo-Giallo pays its respects to the subgenre, both in cinematic references and in bloodletting. Those that love their horror bloody will find much to revel in here. The killer finds creative ways to unleash carnage. But to those with ommetaphobia or a significant aversion to eye trauma, beware: The Last Matinee brings the pain.
Here are eight of horror’s most memorable moments of eye trauma to help you prepare.
Opera
It only feels appropriate to begin with a Giallo with such a memorable moment of ocular torture that it was included on the cover art. Dario Argento’s Opera features a disturbing scene that sees Betty (Cristina Marsillach) bound and gagged as she’s forced to watch her boyfriend’s murder. The killer ensures that she observes by taping needles to her lower eyelids; if she blinks, it’s game over for her vision. Argento captures this intense moment with an unflinching gaze.
Audition

Asami Yamazaki (Eihi Shiina) takes surgical measures to ensure her lover Shigeharu Aoyama (Ryo Ishibashi) will never leave her in Takashi Miike’s memorable horror movie. After a slow build-up, she unleashes her pent-up fury by injecting him with a paralytic then wriggling needles into the tender space below his eyes with a gleeful “Kiri Kiri Kiri!” It’s terrifying.
Brightburn

In this horror spin on Superman, the superpowered child targets a waitress for expressing displeasure over the harm he caused her child. He waits until she’s alone in the diner where she works, causing surges in the electricity. When the waitress looks up to inspect a fluorescent overhead light, it shatters. Director David Yarovesky gives a closeup of the shard stuck in the waitress’s eye, followed by shaky hands that slowly pull it out. What makes this more cringe-inducing is the slurping, squishing sound that accompanies this moment.
Final Destination 5

The Final Destination series made an impressive show of wringing palpable tension out of elaborate deaths, often rooted in the most mundane tasks. In other words, it’s not just the suspense that makes this series memorable, but the way it builds on reality-based fears. Case in point; this petrifying death exploits anxieties about laser eye surgery. Here, a device straps the patient’s eyes wide open, leaving her vulnerable to a laser run amok.
Saw II

The “Venus Fly Trap” in Saw II induces sympathy pains. A man wakes up to find his head strapped in a deadly trap. His right eye his bloodied and swollen from a surgically implanted key behind it- the very key to his freedom. The man must use a scalpel to cut the key out and free himself before the timer runs out or the trap snaps closed on his skull. The ticking clock adds intensity, but the closeups of the blade to the cornea heightens the stress. Of all the tests that the Jigsaw killer administers, cutting out your eye to save yourself ranks high among the most panic-inducing.
Black Christmas (2006)
Billy has a fixation on eyeballs in this gore-filled remake. When it comes to eye trauma, you can take your pick for any number of squeamish moments of eye-gouging horror. He begins by targeting his sister Agnes, viciously claiming her eye. Later, he even goes so far as to drag a victim by emptied eye sockets after ripping out her eyes. And they’re hardly the only two that suffer severe eye trauma.
Un Chien Andalou

Luis Buñuel and Salvador Dali’s 1928 film only runs sixteen minutes in length, but it packs a potent punch with surreal imagery. The most horrific scene sees a man take a straight razor to a woman’s eye as she looks straight ahead. The camera cuts to an image of the moon, then to a closeup of an eye getting sliced open. It’s gruesome, arguably more so knowing that Buñuel used a calf’s eye to achieve the effect. Nearly a century later, this ocular laceration sticks with you.
Zombie
Lucio Fulci horror movies could dominate this list. Choose any of them, and chances are high they’d feature a brutal moment of ocular evisceration. The Beyond, The New York Ripper, Demonia, and more. But it’s the unforgettable imagery from Zombie of a woman struggling against a much stronger foe, the undead, as it pulls her head toward a large splinter of wood that makes the cut here. It’s a slow impaling of the eye, and her helpless look of fear as she’s forced to stare down her own death is brutal.
Discover what ocular horrors await when The Last Matinee releases on Digital HD and VOD platforms August 24th.

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Five of the Worst Night Shifts in Horror Movies
A luxury team-building trip descends into a bloody fight for survival against a vengeful retreat leader in Corporate Retreat, out today in theaters. It’s the latest entry in a cathartic subgenre of workplace horror that examines every harrowing aspect of job employment.
No job is safe from horror, either, from babysitting to even the most white-collar gigs. But if you work an overnight shift? All bets are off. Vengeful co-workers and bosses aside, the night shift is likely to come armed with witches, creatures, demons, and all manner of things that go bump in the night. Even deadly outbreaks.
Corporate Retreat, along with these five horror movies centered around some of the worst night shifts, will make you glad the weekend has finally arrived.
The Autopsy of Jane Doe

Passenger director André Øvredal goes full throttle for the scares in this quiet little chiller that sees a father and son coroner team stumped over the bizarre mysteries contained within the body of an unidentified young woman during an unexpected night shift. Well-executed scares, clever twists, and earnest performances by Brian Cox and Emile Hirsch give this supernatural haunter serious heft. While the narrative bides its time unveiling the truth behind Jane Doe’s battered body, it’s heavily steeped in witchcraft. In other words, The Autopsy of Jane Doe presents a new take on the subgenre. More importantly, it’s seriously scary.
Cold Storage

COLD STORAGE, StudioCanal 2023
A lethal, mutated fungus breaks free from confinement deep within the bowels of a storage facility. At the frontlines of the madness are Teacake (Stranger Things’ Joe Keery) and Naomi (Barbarian‘s Georgina Campbell), two employees thrust into the middle of the chaos when they investigate an alarm beeping somewhere deep within the building. Director Jonny Campbell (Netflix’s Dracula), working from a script by David Koepp based on his novel, helms the goopy madness with workman efficiency. This lighthearted, goopy horror comedy romp makes the deadly night shift a bit more bearable.
Graveyard Shift

Graveyard Shift follows new hire Hall (David Andrews) tasked by his mean boss Warwick (Stephen Macht) to assist with the insane rat infestation beneath their mill. They find something much most monstrous as the cause. Though the film was panned, it’s a fun creature feature with an always welcome appearance by Brad Dourif as the intensely eccentric exterminator. The film also opts for a happier ending, whereas (spoiler), the story sees both Hall and Warwick getting devoured by the mutated rats, the crew in the upstairs mill none the wiser.
Last Shift

‘Last Shift’
Rookie Officer Jessica Loren (Juliana Harkavy) has been assigned to watch over a closing precinct on its final night of operation…alone. With nearly everything already moved over to the new station, including rerouted 911 calls, it should be a pretty quiet night as she waits for a Hazmat team to arrive to remove biohazardous waste. Instead, it becomes a waking nightmare as she’s forced to deal with unsettling visitors. Last Shift, co-written by Scott Poiley and director Anthony DiBlasi, brings the scares.
Intruder

The overnight stock crew of a local grocery store finds themselves falling victim to an unseen killer in this highly infectious late ‘80s slasher. The deaths are delightfully gruesome and inventive; look for this killer to make excellent use of grocery store items as weapons. Frequent Raimi collaborator Scott Spiegel directed this bloody slasher, which means a lot of overlap with the Evil Dead II. That means putting Sam Raimi in front of the camera for a change, along with Ted Raimi and Evil Dead II’s Dan Hicks. Look for a cameo by Bruce Campbell as well!
Corporate Retreat releases in theaters today; get tickets now.


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