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Deep Blue Screams: ‘Great White’ and Why Aquatic Horror Has No Shallow End!

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As another Shark Week draws to a close, a new entry in shark attack horror swims into theaters and VOD. Australian aquatic horror movie Great White releases on July 16 (from RLJE Films), pitting a group of tourists against one of the ocean’s most fearsome predators. When the great white capsizes their seaplane, the five travelers must contend with both their stalking hunter and the harsh conditions that come with being adrift at sea. That setup alone only scratches the surface of why aquatic horror runs as deep as the ocean when it comes to potential and untapped fears.

Great White stars Tucker and Dale vs. Evil actress Katrina BowdenAaron Jakubenko, and Kimie Tsukakoshi as unfortunate travelers fighting for survival. Michael Boughen (Tomorrow, When The War Began, Killer Elite, The Loved Ones) wrote the script while commercial director Martin Wilson makes his feature directorial debut. Their feature underscores how much humans are outside of their element while at sea. And how that compounds the harrowing fight to live.

Oceans cover nearly two-thirds of the Earth’s surface, and only roughly five percent of that has been explored and charted. That means that so much of the world remains undiscovered yet and unseen by humankind. More importantly, that means that so much of the aquatic world remains unknown, which is the very thing that fear exploits so well. The less we know about something, the more our imagination fills in the blanks for the worse.

The ocean’s average depth is about 12,100 feet, with the southern end of the Mariana Trench, the Challenger Deep, considered the deepest part at a depth of over 36,000 feet deep. Extreme pressure makes it difficult to explore these depths, and what we do know paints a picture of a strange, alien world far below the surface. The pitch dark, of course, is where monsters live. Horror finds a way of filling in the blanks of the unknown with the fantastical. The Mariana Trench gives birth to aquatic nightmares like Underwater or the unforgettable sequence in James Wan’s Aquaman that see the titular hero fight off a feral species of sea monsters adapted to the pressurized deep. The ocean bottom harbored the creature from Deep Rising and gave a resting place for the failed Russian experiment that birthed a new monster in Leviathan. It’s even where the gigantic monster in Cloverfield originated. Their undisturbed and boundless habitat allows for extreme growth and provides them with characteristics that humanity is ill-equipped to counter. 

Underwater

But the ocean’s deep makes for horror rooted in the fantastical. The closer to the surface you get, the more rooted in reality the horror becomes. Steven Spielberg’s Jaws kickstarted the summer blockbuster and instilled a fear of sharks and the ocean in generations to come. It inspired a wave of shark attack movies that would help solidify it as the most robust subsection of aquatic horror. So much so that Discovery dedicates an entire week every year to dispelling myths about the predator.  

In the past few decades, shark horror branched out in surprising ways. From exploitation to B-horror fun to bigger features that push well past the boundaries of realism, shark horror became a subgenre in its own right. Even in the more fantasy-based entries, like Deep Blue Sea, the one thing that helps anchor them to reality is the emphasis that humans aren’t designed for aquatic life. We’re not even really designed for swimming, making us easy prey for predators at sea.

Deep Blue Sea

That vulnerability translates across aquatic horror, no matter the variety. Whether it’s ancient Lovecraftian gods emerging from the depths or a great white shark searching for a meal, the core thread is that humans are ill-equipped to deal. Escape often isn’t an option, and survival odds reduce significantly out at sea. Like space, the oceans offer a final frontier of exploration, and its biodiversity only contributes to the great fear of the unknown.

Great White sees its core fivesome trapped at sea, adrift without food or water under a blazing hot sun. That alone would present a nightmarish survival horror scenario, but it adds one of horror’s favorite animals to the mix to hunt them down. Above all, it offers another showcase of why aquatic horror has no shallow end; it taps into that same dread that transcends genre borders. Humans are mere blips in the cosmos, a small, vulnerable creature that ranks very low on the food chain. 

Great White releases in theaters and VOD on July 16.

Horror journalist, RT Top Critic, and Critics Choice Association member. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon, SeriesFest, and Popcorn Frights Film Fest.

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Five of the Worst Night Shifts in Horror Movies

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Sam Raimi struggles on the night shift in Intruder

A luxury team-building trip descends into a bloody fight for survival against a vengeful retreat leader in Corporate Retreat, out today in theaters. It’s the latest entry in a cathartic subgenre of workplace horror that examines every harrowing aspect of job employment.

No job is safe from horror, either, from babysitting to even the most white-collar gigs. But if you work an overnight shift? All bets are off. Vengeful co-workers and bosses aside, the night shift is likely to come armed with witches, creatures, demons, and all manner of things that go bump in the night. Even deadly outbreaks. 

Corporate Retreat, along with these five horror movies centered around some of the worst night shifts, will make you glad the weekend has finally arrived.


The Autopsy of Jane Doe

Passenger director André Øvredal goes full throttle for the scares in this quiet little chiller that sees a father and son coroner team stumped over the bizarre mysteries contained within the body of an unidentified young woman during an unexpected night shift. Well-executed scares, clever twists, and earnest performances by Brian Cox and Emile Hirsch give this supernatural haunter serious heft. While the narrative bides its time unveiling the truth behind Jane Doe’s battered body, it’s heavily steeped in witchcraft. In other words, The Autopsy of Jane Doe presents a new take on the subgenre. More importantly, it’s seriously scary.


Cold Storage

Cold Storage

COLD STORAGE, StudioCanal 2023

A lethal, mutated fungus breaks free from confinement deep within the bowels of a storage facility. At the frontlines of the madness are Teacake (Stranger Things’ Joe Keery) and Naomi (Barbarian‘s Georgina Campbell), two employees thrust into the middle of the chaos when they investigate an alarm beeping somewhere deep within the building. Director Jonny Campbell (Netflix’s Dracula), working from a script by David Koepp based on his novel, helms the goopy madness with workman efficiency. This lighthearted, goopy horror comedy romp makes the deadly night shift a bit more bearable.


Graveyard Shift

Graveyard Shift follows new hire Hall (David Andrews) tasked by his mean boss Warwick (Stephen Macht) to assist with the insane rat infestation beneath their mill. They find something much most monstrous as the cause. Though the film was panned, it’s a fun creature feature with an always welcome appearance by Brad Dourif as the intensely eccentric exterminator. The film also opts for a happier ending, whereas (spoiler), the story sees both Hall and Warwick getting devoured by the mutated rats, the crew in the upstairs mill none the wiser.


Last Shift

last shift welcome villain films

‘Last Shift’

Rookie Officer Jessica Loren (Juliana Harkavy) has been assigned to watch over a closing precinct on its final night of operationalone. With nearly everything already moved over to the new station, including rerouted 911 calls, it should be a pretty quiet night as she waits for a Hazmat team to arrive to remove biohazardous waste. Instead, it becomes a waking nightmare as she’s forced to deal with unsettling visitors. Last Shift, co-written by Scott Poiley and director Anthony DiBlasi, brings the scares.


Intruder

The overnight stock crew of a local grocery store finds themselves falling victim to an unseen killer in this highly infectious late ‘80s slasher. The deaths are delightfully gruesome and inventive; look for this killer to make excellent use of grocery store items as weapons. Frequent Raimi collaborator Scott Spiegel directed this bloody slasher, which means a lot of overlap with the Evil Dead II. That means putting Sam Raimi in front of the camera for a change, along with Ted Raimi and Evil Dead II’s Dan Hicks. Look for a cameo by Bruce Campbell as well! 


Corporate Retreat releases in theaters today; get tickets now.

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