Sponsored
The Body Horror of ‘Together’ – A Thin Line Between Love and Pain
Childhood fears are relatively simple. There’s a monster hiding under the bed or a vampire hovering just outside the window. Though terrifying, these fears have recognizable faces and are conquerable in predictable ways. But as we age, our nightmares lose their definitive shape, morphing into existential dread. We’re concerned with more mature and nebulous concepts that feel nearly impossible to overcome. And sometimes the most terrifying creatures of all are the demons that lurk inside our own hearts. Fear of intimacy and commitment repeatedly rank near the top of these more shadowy woes. We’re afraid that opening up to another person will leave us dangerously vulnerable. Some of us choose to remain aloof, frustrating our romantic partners, while others dive head-first into love only to regret it down the road. Michael Shanks explores all-consuming intimacy in his gruesome body horror film Together. This harrowing tale follows a floundering couple who find their once-loving relationship twisted into a monstrous new shape.
Tim (Dave Franco) and Millie (Alison Brie) have been dating for nearly a decade when they finally agree to “take the plunge.” After years of living in New York, they’re moving to a small town north of the city to accommodate Millie’s exciting new job. But Tim seems hesitant to take this next step, putting a damper on their future plans. The moody musician has been struggling for months in the wake of a bizarre personal tragedy. He’s grown simultaneously dependent and distant, leaving Millie unsure of where they stand. And though she’s embarking on an exciting new career, he will be forced to rebuild his life, forging new opportunities and industry connections. When the isolation takes its toll, Tim begins experiencing frightening symptoms. He’s physically unable to leave Millie’s side, putting stress on their already fragile connection.

Shanks expertly uses body horror to explore an altogether relatable fear. Millie and Tim can’t seem to overcome the growing resentment that overshadows their home, but they’re also terrified to separate. Each day sees them weigh ongoing dissatisfaction against the pain a breakup will cause. Shanks creates a visible metaphor for this bleak dilemma with the literal bonding of the couple’s flesh. Not only does Tim’s body “thirst” for Millie, their bones begin to crack and crunch as they slowly knit themselves together. Skin ripples outward with invisible tentacles, instantly combining in a fleshy mass. Attempts to detach cause excruciating pain as they must literally rip themselves apart. When not tactically connected, their bodies take over, pulling the horrified lovers roughly together like magnets controlled by invisible hands.
We’ve all known couples who disappear into relationships, spending every waking moment with their crush. While apart, they gush about their new partner, seemingly unable to think about anything else. We watch these couples in silent judgment, secretly afraid the same might happen to us. Because from the outside, this feels like a devastating loss—the death of two vibrant singletons. But from the inside, the pull towards a partner often feels like an intoxicating rush as rationality gives way to passion. Shanks brilliantly represents this one-track mind when Millie drives away from Tim. He completely loses track of himself and is thrust violently forward in his girlfriend’s direction.

While jarring to see with burgeoning love, fear of intimacy is even more frightening in long-term relationships. After years of disappearing into their union, uncoupling feels like an impossible feat. Tim finds that he’s lost the person he used to be and worries that without Millie, he’ll have nothing left. She in turn feels the weight of this codependency and begins to look for a way out. But Tim’s bizarre curse makes separation impossible. At the very moment they should take time apart, a mysterious force literally pulls them together. It’s every commitment-phobe’s worst fear realized: a once happy couple fused together and trapped in the relationship for better or worse.
Together presents a nightmare version of marital life and a cautionary tale against romantic surrender. We watch as Tim and Millie lose themselves in the raw power of their physical attraction, abandoning any rational thought. Yet, Shanks resists giving definitive answers. Perhaps these two attractive young lovers are meant to be joined in domestic bliss. Maybe the death of their single selves is a necessary sacrifice for long-term happiness. Or have they become a misshapen monster, destroying themselves on the altar of love? Together asks us to consider the purpose and power of commitment while evaluating our own relationships. Will allowing ourselves to love someone else cause irreparable damage to our sense of self? Or is it possible to walk down this treacherous path without succumbing to the pull of all-consuming love?
Together is now playing in theaters everywhere. Get tickets now!

Sponsored
Five of the Worst Night Shifts in Horror Movies
A luxury team-building trip descends into a bloody fight for survival against a vengeful retreat leader in Corporate Retreat, out today in theaters. It’s the latest entry in a cathartic subgenre of workplace horror that examines every harrowing aspect of job employment.
No job is safe from horror, either, from babysitting to even the most white-collar gigs. But if you work an overnight shift? All bets are off. Vengeful co-workers and bosses aside, the night shift is likely to come armed with witches, creatures, demons, and all manner of things that go bump in the night. Even deadly outbreaks.
Corporate Retreat, along with these five horror movies centered around some of the worst night shifts, will make you glad the weekend has finally arrived.
The Autopsy of Jane Doe

Passenger director André Øvredal goes full throttle for the scares in this quiet little chiller that sees a father and son coroner team stumped over the bizarre mysteries contained within the body of an unidentified young woman during an unexpected night shift. Well-executed scares, clever twists, and earnest performances by Brian Cox and Emile Hirsch give this supernatural haunter serious heft. While the narrative bides its time unveiling the truth behind Jane Doe’s battered body, it’s heavily steeped in witchcraft. In other words, The Autopsy of Jane Doe presents a new take on the subgenre. More importantly, it’s seriously scary.
Cold Storage

COLD STORAGE, StudioCanal 2023
A lethal, mutated fungus breaks free from confinement deep within the bowels of a storage facility. At the frontlines of the madness are Teacake (Stranger Things’ Joe Keery) and Naomi (Barbarian‘s Georgina Campbell), two employees thrust into the middle of the chaos when they investigate an alarm beeping somewhere deep within the building. Director Jonny Campbell (Netflix’s Dracula), working from a script by David Koepp based on his novel, helms the goopy madness with workman efficiency. This lighthearted, goopy horror comedy romp makes the deadly night shift a bit more bearable.
Graveyard Shift

Graveyard Shift follows new hire Hall (David Andrews) tasked by his mean boss Warwick (Stephen Macht) to assist with the insane rat infestation beneath their mill. They find something much most monstrous as the cause. Though the film was panned, it’s a fun creature feature with an always welcome appearance by Brad Dourif as the intensely eccentric exterminator. The film also opts for a happier ending, whereas (spoiler), the story sees both Hall and Warwick getting devoured by the mutated rats, the crew in the upstairs mill none the wiser.
Last Shift

‘Last Shift’
Rookie Officer Jessica Loren (Juliana Harkavy) has been assigned to watch over a closing precinct on its final night of operation…alone. With nearly everything already moved over to the new station, including rerouted 911 calls, it should be a pretty quiet night as she waits for a Hazmat team to arrive to remove biohazardous waste. Instead, it becomes a waking nightmare as she’s forced to deal with unsettling visitors. Last Shift, co-written by Scott Poiley and director Anthony DiBlasi, brings the scares.
Intruder

The overnight stock crew of a local grocery store finds themselves falling victim to an unseen killer in this highly infectious late ‘80s slasher. The deaths are delightfully gruesome and inventive; look for this killer to make excellent use of grocery store items as weapons. Frequent Raimi collaborator Scott Spiegel directed this bloody slasher, which means a lot of overlap with the Evil Dead II. That means putting Sam Raimi in front of the camera for a change, along with Ted Raimi and Evil Dead II’s Dan Hicks. Look for a cameo by Bruce Campbell as well!
Corporate Retreat releases in theaters today; get tickets now.


You must be logged in to post a comment.