When it comes to filmmaking, age really is just a number, it seems. Japanese filmmaker Takeo Kimura helmed his first feature at 90 years old, for...
It’s a little ridiculous to say that Alice Maio Mackay has matured at the ripe old age of 21, but the prolific Aussie filmmaker’s latest, The...
Following last month’s trailer drop, we now have a red band trailer and full release details for The Serpent’s Skin. Drawing influence from “Buffy the Vampire...
Desire leaves a mark in the trailer for The Serpent’s Skin, which channels “Buffy the Vampire Slayer” and “Charmed” through a queer lens. The indie horror...
Several films screening at this year’s Fantasia International Film Festival explore the idea that teen girls are not alright, including The Serpent’s Skin, Foreigner, and Lucid. Read on...
Trailblazing trans director Alice Maio Mackay (So Vam, T Blockers) is back this week with holiday horror indie Carnage for Christmas, now available on VOD outlets at home....
At only 19 years old, Australian Alice Maio Mackay is already an accomplished filmmaker. Known for low budget, indie genre films like So Vam (2021) and...
Alice Maio Mackay, the filmmaker behind So Vam and Bad Girl Boogey, is back with new movie T-Blockers, and a brand new red band trailer highlights the horror movie’s punk...
Alice Maio Mackay, the filmmaker behind So Vam and Bad Girl Boogey, is back with new movie T-Blockers, and Screen Daily reports that Dark Star Pictures...
Is it possible to be filled with so much hatred and bigotry that you project it onto an inanimate object? That’s just one of the many...
Filmmaker Alice Maio Mackay (So Vam) is back with new movie Bad Girl Boogey, and The Wrap reports today that Dark Star Pictures has acquired the...
Now funding over on Indiegogo with just a few days left, So Vam filmmaker Alice Maio Mackay‘s new movie Bad Girl Boogey recently wrapped production, with...
Fresh off the horror movie So Vam, which played at last year’s virtual Salem Horror Fest, we’re excited to let you know that Alice Maio Mackay...
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