Fantasia 2020
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[Review] ‘The Block Island Sound’ Is a Daring Horror Mish-Mash
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[Review] Shudder’s Anthology Film ‘The Mortuary Collection’ Offers Meta Morality Tales
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[Fantasia Review] Retrofuturistic ‘Come True’ Is Filled With Synth Nightmares
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[Fantasia Review] ‘The Dark and the Wicked’ Is a Chilling Descent into Nihilistic Evil
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[Fantasia Review] ‘Unearth’ Emphasizes Rural Drama Over Eco-Horror
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[Fantasia Review] ‘Alone’ Is a Survival Thriller at Its Simplest
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[Fantasia Review] ‘Lucky’ Uses Horror as Personal Metaphor
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[Fantasia Review] ‘The Curse of Audrey Earnshaw’ Casts a Vague, Unfocused Spell
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[Fantasia Review] The Witch Trials of Neil Marshall’s ‘The Reckoning’ Tread Familiar Ground
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Shudder Lands Three Ahead of Fantasia: ‘Lucky,’ ‘Slaxx,’ and ‘Hunted’
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A Strange Force Influences ‘The Block Island Sound’ [Trailer]
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Red Band ‘For the Sake of Vicious’ Clip Takes a Hammer to the Eye Ahead of Fantasia [Exclusive]
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[Fantasia Review] ‘The Columnist’ Taps Into Female Rage With Biting Wit
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Nightmares ‘Come True’ for “The Killing” Star Julia Sarah Stone [Trailer]
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John Carpenter Will Receive a Lifetime Achievement Award and Deliver a Masterclass at the Virtual Edition of Fantasia
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‘Kriya’ Trailer Promises a Nightmarish Fever Dream [Video]
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Fantasia Reveals Massively Impressive Virtual Lineup for This Year’s Festival
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Neil Marshall’s ‘The Reckoning’ to Premiere at Fantasia [Images]