Fantastic Fest 19
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[Review] ‘Random Acts of Violence’ is a Brutal and Merciless Slasher from Jay Baruchel
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[Review] ‘We Summon the Darkness’ Unleashes a Metal Mayhem Joyride
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[Review] ‘VFW’ Pits Vets Versus Mutant Punks in Ferocious Throwback Siege Thriller
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[Horror Queers Podcast] A LIVE! Recording With Mark Patton on the 34th Anniversary of ‘A Nightmare on Elm Street 2’!
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[Fantastic Fest] 10 Upcoming Horror Films to Keep On Your Radar
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‘The Pool’ Review – It’s Man vs. Croc vs. Abortion in Ridiculously Fun Thriller! [Fantastic Fest]
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Fantastic Fest 2019 Brought a Spotlight to the Extensive History of Horror Cinema from Mexico
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[Fantastic Fest Review] Ambitious ‘The Long Walk’ Offers Genre-Bending Treatise on Guilt and Grief
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[Fantastic Fest Review] Netflix’s ‘In the Shadow of the Moon’ Tries to Be Too Many Things at Once
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[Fantastic Fest Review] Mark Patton Sets the Record Straight in ‘Scream, Queen! My Nightmare on Elm Street’
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[Fantastic Fest Review] ‘The Cleansing Hour’ is Possession Horror for the Social Media Age
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[Fantastic Fest Review] ‘Adoration’ Tells a Twisted Love Story Between Two Children
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[Fantastic Fest Review] ‘The Golden Glove’ Enters the Pantheon of Disturbing Serial Killer Biopics
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[Fantastic Fest Review] Netflix’s ‘Fractured’ Unravels With Familiar Psychological Thrills
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[Fantastic Fest Review] Netflix’s ‘In the Tall Grass’ is a Mean Voyage into the Bizarre
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Celebrating 15 Years of Horror at Fantastic Fest!
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Final Wave of Fantastic Fest Programming Includes Lifetime Achievement Award for Takashi Miike
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Fantastic Fest’s Second Wave Includes ‘Knives Out’, ‘Color Out of Space’, ‘VFW’, ‘Parasite’ and More!
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Fantastic Fest 2019’s First Wave Includes King Adaptation ‘In the Tall Grass’ and Brad Anderson’s ‘Fractured’