Gods and Monsters
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‘Curse Of The Undead’: The Forgotten Horror Western That Paved The Way For ‘Near Dark’ and ‘Bone Tomahawk’
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Such Innocent-Looking Monsters: The Creepy Kids of ‘Village of the Damned’ and Its Sequel
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The End Has Come: Standing Alone as ‘The Last Man on Earth’
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The Maddest Story Ever Told: Unearthing ‘Spider Baby’ and Its New Brand of Horror Comedy
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Recovered Memories: Karloff Film ‘The Walking Dead’ Is an Overlooked 1930s Horror Offering
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Taming the Beast: Learning to Love ‘Werewolf of London’
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Food, Drink, and Ghosts: An Invitation to the ‘House on Haunted Hill’
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The Making of a Master: Francis Ford Coppola and ‘Dementia 13’
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Nothing Can Stop ‘Them!’ – Atom Bombs and Giant Ants at 70
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Killer Instincts: The Innovation and Influence of Fritz Lang’s ‘M’
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Swimming with Monsters: Why We Still Love ‘Creature from the Black Lagoon’
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Seeing Things: Roger Corman and ‘X: The Man with the X-Ray Eyes’
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Hidden Treasures: Rediscovering the Horror-Comedy Gems of Bob Hope and Paulette Goddard
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A Game of Rivals: The Conflicts That Shaped Horror Classic ‘The Black Cat’
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Still King of All Monsters: Revisiting the Original ‘Gojira’ at 70
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Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90
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We Who Walk Here Walk Alone: Revisiting ‘The Haunting’ at 60
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A Plague of Evil: Revisiting 1960’s Edgar Allan Poe Movie ‘House of Usher’ Starring Vincent Price
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Forces of Nature: The Power of Hitchcock’s ‘The Birds’ 60 Years Later
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A Matter of Life and Death: Externalizing Internal Struggles in ‘The Seventh Victim’
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Strange Ideas: The Perpetual Relevance of ‘Witchfinder General’
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Mutants and Mind Control: Revisiting ‘Invaders from Mars’ at 70
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Dracula Reborn: How Hammer’s ‘Horror of Dracula’ Redefined Vampires
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The Eighth Wonder: Why ‘Kong’ is Still King 90 Years Later