Sundance 2021
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‘Dual’ Starring Karen Gillan and Aaron Paul Lands a Seven-Figure Deal Out of Sundance
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Sebastian Stan-Starring Sundance Horror Movie ‘Fresh’ Will Be Released Straight to Hulu in March
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‘Final Cut’ – Remake of Zombie Movie ‘One Cut of the Dead’ Pulled from Virtual Sundance Premiere
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‘Censor’: Magnolia Pictures Acquires Ode to the Video Nasty Era!
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[Sundance Review] ‘The Blazing World’ is Avant-Garde Horror Fantasy on Acid
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[Sundance Review] ‘Prisoners of the Ghostland’ is a Bonkers, Neon Drenched Post-Apocalyptic Western
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[Sundance Review] ‘Coming Home in the Dark’ is a Nihilistic Morality Thriller
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[Sundance Review] Average Gothic Horror ‘Eight for Silver’ (‘The Cursed’) Hinders Thrilling New Werewolf Lore
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[Sundance Review] Captivating Doc ‘Playing with Sharks’ Chronicles Australian Icon and ‘Jaws’ Impact
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[Sundance Review] ‘John and the Hole’ Is a Subdued and Toothless Coming-of-Age Thriller
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[Sundance Review] Ben Wheatley’s ‘In the Earth’ Is a Psychedelic Trip Into Folk Horror
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[Sundance Review] ‘Knocking’ Challenges Perceptions with Stunning Psychological Thriller
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[Sundance Review] ‘Censor’ Creates a Mind-Bending Nightmare Set in the Video Nasty Era
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‘Knocking’ Director Frida Kempff on Building Paranoia and Cecilia Milocco’s Fearless Performance [Sundance Interview]
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Rodney Ascher’s ‘A Glitch In the Matrix’ Asks, What If We’re Living In a Simulation? [Trailer]
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The Trailer for Sundance Thriller ‘The Pink Cloud’ Is Way Too Relatable [Video]
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The Sundance Film Festival Has Plenty of Horror to Go Around