SXSW 17
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IFC Goes Crazy for Trent Haaga’s ’68 Kill’
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‘The Honor Farm’ SXSW Poster Reflects On Itself
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[SXSW Review] Bloody and Occasionally Shocking ‘This is Your Death’ is Mostly Oversanitized Satire
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[SXSW Review] Michael O’Shea’s ‘The Transfiguration’ is a Refreshing and Moving Vampire Tale
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[SXSW Review] Alice Lowe’s ‘Prevenge’ Delivers Blood-Soaked Humor with a Surprisingly Emotional Core
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Opening Scene From ‘The Transfiguration’ Carries ‘Martin’ Vibe (Exclusive)
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Saban Acquires ‘Small Town Crime’ Out of SXSW
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[SXSW Review] Finnish Slasher ‘Lake Bodom’ is an Energetic and Twist-Filled Take on a Famed Cold Case
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[SXSW Review] ‘Life’ is a By-the-Numbers Sci-Fi Thriller
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’68 Kill’ Festival Poster Grabs Weapon of Choice
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‘Tragedy Girls’ Poster Slays Together
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[SXSW Review] ‘Atomic Blonde’: Come for Theron. Stay For the Best Action Scene Ever.
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Breaking: ‘Life’ is NOT ‘Venom’
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[SXSW Review] The Chilling ‘Most Beautiful Island’ Is a Powerful Debut
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[Review] The ‘Tragedy Girls’ Leave a Hilarious and Bloody Mess at SXSW!
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[SXSW Review] ‘Tragedy Girls’ Earns a Like, a Retweet AND a Follow!
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[SXSW Review] ‘Mayhem’ Takes Killing to the Top Level
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[SXSW Review] ‘Game of Death’ is a Subpar Entry in the Millennial Horror Subgenre
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[SXSW] We Witnessed the Birth of TWO Neomorphs in ‘Alien: Covenant’ (SPOILERS)!
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[SXSW Review] ‘M.F.A.’ Empowers and Enlightens
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[SXSW] We Saw Some of ‘Annabelle 2’, Which Focuses on Mood and Atmosphere
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We Saw the ‘Alien: Covenant’ Scene That Reveals Origin of the Xenomorphs!
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Joe Lynch’s ‘Mayhem’ Poster is Infected with Rage!
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Second Half of ‘It’ Not Filming This Month, BUT…