TV
“The Fall of the House of Usher” – 2 Minute Clip Invites You to a Dysfunctional Family Dinner
Based on the tales of Edgar Allan Poe, Mike Flanagan‘s final series for Netflix is “The Fall of the House of Usher,” and a 2-minute sneak preview clip has arrived today.
The limited series from Intrepid Pictures is “based on multiple works from Poe,” and Netflix recently announced that “Usher” will premiere on October 12, 2023.
Watch the clip below, which introduces the troubled Usher family in a scene that brings many of Mike Flanagan’s regular actors together for one dysfunctional dinner.
“In this wicked 8-episode limited series based on the works of Edgar Allan Poe, ruthless siblings Roderick and Madeline Usher have built Fortunato Pharmaceuticals into an empire of wealth, privilege and power. But past secrets come to light when the heirs to the Usher dynasty start dying at the hands of a mysterious woman from their youth.”
The ensemble cast will include Carla Gugino (Gerald’s Game, “The Haunting of Hill House”), Mary McDonnell (Scream 4), Carl Lumbly (Doctor Sleep), and Mark Hamill.
Bruce Greenwood (Gerald’s Game) is playing Roderick Usher.
Carla Gugino told Tudum.com last year during production, “It’s batshit crazy in the best possible way. It has quite a lot of very dark humor, but also really touches the soul.”
Michael Trucco, T’Nia Miller, Paola Nuñez, Henry Thomas, Kyleigh Curran, Samantha Sloyan, Rahul Kohli, Kate Siegel, Sauriyan Sapkota, Zach Gilford, Willa Fitzgerald, Katie Parker, Malcolm Goodwin, Crystal Balint, Aya Furukawa, Daniel Jun, Matt Biedel, Ruth Codd, Annabeth Gish, Igby Rigney and Robert Longstreet also star.
“The Fall of the House of Usher” marks the fifth series for Mike Flanagan and Trevor Macy at Netflix under their Intrepid Pictures overall deal, including: the fan-beloved “The Haunting of” series – “The Haunting of Hill House” and “The Haunting of Bly Manor”; the critically-lauded “Midnight Mass,” and most recently, Christopher Pike adaptation “The Midnight Club.”
Mike Flanagan and Michael Fimognari each directed four episodes of “Usher.”
Published in 2019, Stephen King‘s novel The Institute is getting a TV series adaptation from MGM+, with Deadline reporting today that the project has been given a series order.
Ben Barnes (Shadow and Bone) and Mary-Louise Parker (Weeds) will star.
The Institute comes from director/executive producer Jack Bender (Lost, Mr. Mercedes), writer/executive producer Benjamin Cavell (Justified, The Stand) and MGM+ Studios.
In the eight-episode series, “When 12-year-old genius Luke Ellis is kidnapped, he awakens at The Institute, a facility full of children who all got there the same way he did, and who are all possessed of unusual abilities. In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won’t last, as his story and Luke’s are destined to collide.” The website notes that Parker will play “Ms. Sigsby, the charming but iron-willed director of the Institute and a true believer in its awful mission.”
“I’m delighted and excited at the prospect of The Institute, with its high-intensity suspense, being filmed as a series,” King said. “The combination of Jack Bender and Ben Cavell guarantees that the results will be terrific.”
“We are thrilled to have the opportunity to work again with Stephen King. And The Institute, based on his critically acclaimed novel, is an exciting addition to the MGM+ original series slate,” said Michael Wright, head of MGM+. “There is no creative team I would trust more to bring the book to life than Jack and Ben, whose creative vision and love of Mr. King’s voice, will bring this thought-provoking and gut-wrenching story to life, in the engaging, cinematic, and thrilling style MGM+ viewers expect.”
Here’s the novel’s full synopsis, via Amazon:
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
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