TV
GLAAD Media Awards 2024 – Horror Nominees Include “Chucky”, ‘The Last of Us’ and ‘House of Usher’
For the third year in a row, Don Mancini’s “Chucky” television series has landed a GLAAD Media Awards nomination for “Outstanding Drama” series, and this year Chucky’s joined by a handful of other horror properties that were seen on screens big and small last year.
The full list of nominations for the GLAAD Media Awards 2024 – the 35th annual! – have been announced today, with this year’s winners being announced starting March 14.
The organization previews, “Join GLAAD for the largest, most legendary LGBTQ celebration in the world in 2024. Honoring those in the media who have shown exemplary achievements for fair, accurate, and inclusive representation of the LGBTQ community and the issues that affect our lives, the 35th Annual GLAAD Media Awards promises to deliver a sparkly mix of red carpet arrivals, iconic main stage moments, and an impactful message that demonstrates the value of representation and inclusion of LGBTQ people within all forms of media. Since its inception in 1990, the GLAAD Media Awards have grown to be the most visible annual LGBTQ awards show in the world, sending powerful messages of acceptance to audiences globally.”
Here are all the categories that feature horror nominees this year…
Outstanding Film – Wide Theatrical Release
All of Us Strangers (Searchlight Pictures)
American Fiction (Amazon MGM Studios)
Anyone But You (Columbia Pictures)
The Blackening (Lionsgate Films)
Bottoms (Metro-Goldwyn-Mayer)
The Color Purple (Warner Bros.)
It’s a Wonderful Knife (RLJE Films)
Knock at the Cabin (Universal Pictures)
Moving On (Roadside Attractions)
Shortcomings (Sony Pictures Classics)
Outstanding Film – Limited Theatrical Release
Aristotle and Dante Discover the Secrets of the Universe (Blue Fox Entertainment)
The Blue Caftan (Strand Releasing)
Blue Jean (Magnolia Pictures)
How to Blow Up a Pipeline (Neon)
Joyland (Oscilloscope)
L’immensità (Music Box Films)
Monica (IFC Films)
Our Son (Vertical Entertainment)
Passages (Mubi)
Summoning Sylvia (The Horror Collective)
Outstanding New Series
The Buccaneers (Apple TV+)
Class (Netflix)
Culprits (Hulu)
Deadloch (Amazon Prime Video)
Everything Now (Netflix)
Found (NBC)
Grease: Rise of the Pink Ladies (Paramount+)
The Last of Us (HBO)
The Other Black Girl (Hulu)
Tore (Netflix)
Outstanding Drama Series
9-1-1: Lone Star (Fox)
The Chi (Showtime)
Chucky (SyFy/USA Network)
Doctor Who (Disney+)
Good Trouble (Freeform)
Grey’s Anatomy (ABC)
Quantum Leap (NBC)
Riverdale (The CW)
Station 19 (ABC)
Yellowjackets (Showtime)
Outstanding Comedy Series
And Just Like That… (Max)
Good Omens (Amazon Prime Video)
Harlem (Prime Video)
Harley Quinn (Max)
Our Flag Means Death (Max)
Sex Education (Netflix)
Somebody Somewhere (HBO)
Ted Lasso (Apple TV+)
What We Do In The Shadows (FX)
With Love (Amazon Prime Video)
Outstanding Limited or Anthology Series
Black Cake (Hulu)
Bodies (Netflix)
The Confessions of Frannie Langton (Britbox)
The Fall of the House of Usher (Netflix)
Fellow Travelers (Showtime)
The Full Monty (FX on Hulu)
The Lost Flowers of Alice Hart (Amazon Prime Video)
Queen Charlotte: A Bridgerton Story (Netflix)
Scott Pilgrim Takes Off (Netflix)
Transatlantic (Netflix)
Outstanding Reality Program
Bargain Block (HGTV)
Family Karma (Bravo)
I Am Jazz (TLC)
Living for the Dead (Hulu)
Queer Eye (Netflix)
Real Housewives of New York City (Bravo)
Selling Sunset (Netflix)
Swiping America (Max)
TRANSworld Atlanta (Tubi)
The Ultimatum: Queer Love (Netflix)
The GLAAD Media Awards ceremonies, which fund GLAAD’s work to accelerate LGBTQ acceptance, will be held in Los Angeles at the Beverly Hilton on Thursday, March 14, 2024, and in New York City at the Hilton Midtown on Saturday, May 11, 2024.
You can see the full list of nominees on GLAAD’s official website.
Published in 2019, Stephen King‘s novel The Institute is getting a TV series adaptation from MGM+, with Deadline reporting today that the project has been given a series order.
Ben Barnes (Shadow and Bone) and Mary-Louise Parker (Weeds) will star.
The Institute comes from director/executive producer Jack Bender (Lost, Mr. Mercedes), writer/executive producer Benjamin Cavell (Justified, The Stand) and MGM+ Studios.
In the eight-episode series, “When 12-year-old genius Luke Ellis is kidnapped, he awakens at The Institute, a facility full of children who all got there the same way he did, and who are all possessed of unusual abilities. In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won’t last, as his story and Luke’s are destined to collide.” The website notes that Parker will play “Ms. Sigsby, the charming but iron-willed director of the Institute and a true believer in its awful mission.”
“I’m delighted and excited at the prospect of The Institute, with its high-intensity suspense, being filmed as a series,” King said. “The combination of Jack Bender and Ben Cavell guarantees that the results will be terrific.”
“We are thrilled to have the opportunity to work again with Stephen King. And The Institute, based on his critically acclaimed novel, is an exciting addition to the MGM+ original series slate,” said Michael Wright, head of MGM+. “There is no creative team I would trust more to bring the book to life than Jack and Ben, whose creative vision and love of Mr. King’s voice, will bring this thought-provoking and gut-wrenching story to life, in the engaging, cinematic, and thrilling style MGM+ viewers expect.”
Here’s the novel’s full synopsis, via Amazon:
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
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