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So When Are We Gonna Get That Horror Icon Fighting Game?

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I realize I’m way late to the party here, but I recently began playing Mortal Kombat XL, the beefed up version of Mortal Kombat X that’s jam-packed with all of the game’s bonus content. This means that the game has all the DLC horror characters already installed within it, including Leatherface, Jason Voorhees, Predator and a Xenomorph.

As you probably already know, it’s kinda the best thing ever.

Over the course of the past several days, I’ve seen Leatherface slice up Predator with a chainsaw, a Xenomorph unleash a Face Hugger on Jason Voorhees, and I’ve even gotten to play out a fantasy battle between Predator character Dillon (the “Carl Weathers” skin is an alternate costume option for Jax) and Mortal Kombat‘s four-armed Goro.

Mortal Kombat XL has provided us with, to date, the closest we’ve come to the full-on horror icon fighting game that we’ve all spent so many years begging for. Granted, it only has four playable horror villains, but with alternate costumes (Leatherface, for example, has “Remake” and “Pretty Lady” outfits, while Predator can be masked or unmasked) and deadly moves inspired by the films, Mortal Kombat X‘s horror-heavy DLC content not only teases the sheer awesomeness that such a game could and would be packed with, but it also suggests that we’re not too far off from it becoming reality.

Keeping in mind that the previous Mortal Kombat game featured Freddy Krueger as a playable DLC character, that means MK developers NetherRealm Studios already have Freddy, Jason, Alien, Predator and Leatherface at their disposal – one hell of a head start, to say the very least. So what are the chances they expand upon those “horror packs” and replace ALL Mortal Kombat fighters with other horror characters such as Ash Williams, Chucky, Pumpkinhead and Michael Myers? And was Mortal Kombat X‘s DLC content a testing ground for such a game, the same way Mortal Kombat vs. DC Universe paved the way for full-on DC fight games Injustice and Injustice 2?

According to recent comments from NetherRealm’s Ed Boon, that’s probably the case. Because Boon, as it turns out, dreams of someday making an all-horror fighting game!

You know, as we’ve been accumulating [the horror icons], that idea has been coming up more and more frequently,” Boon told Game Informer last year, when asked if he’d be interested in making a fighting game featuring horror villains and only horror villains. “You brought it up and a few other people have brought it up like ‘why don’t you do a horror movie fighting game?’ Maybe one day we’ll do it.”

Fan-made game TerrorDrome, like Mortal Kombat XL, shows just how much potential there is for such a game, which could incorporate storylines and backdrops from our favorite horror movies into the fights between our favorite horror icons. Just imagine making Ash and Jason fight at the infamous Evil Dead cabin. Picture a battle between Freddy and Jaws out in the depths of the ocean. Or how about an epic clash between Pinhead and Pumpkinhead, down in the fiery depths of Hell? The possibilities are endless. Each one cooler than the last.

Thanks to Mortal Kombat XL, Friday the 13th: The Game and Dead by Daylight, we are currently living in a golden age for horror icons in the video game space. It wasn’t all that long ago that none of horror’s icons had their own modern day games, but in the blink of an eye, we can now play as Freddy, Jason, Leatherface, Michael and many others.

It would seem that an all-horror fighting game from NetherRealm is the next logical progression of the trend. It would seem it’s only a matter of time.

For all we know, it could already be in the works…

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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