Reviews
[Review] ‘Shin Megami Tensei V’ is a Masterful Japanese RPG And One of the Best Games of the Year
It’s been a while since a new mainline Shin Megami Tensei game came out, and a 3D one at that. After Shin Megami Tensei III Nocturne launched in 2003, the series transitioned to a more 2D style that fit the Nintendo 3DS handheld with Shin Megami Tensei IV and IV: Apocalypse in 2014 and 2016, respectively.
While the latter two were fine games in their own right, I longed to see what the series would look like on more powerful hardware and updated character models. We now have Shin Megami Tensei V for Nintendo Switch.
With its exhilarating landscapes, challenging fights, gorgeous art direction, and stellar music, Shin Megami Tensei V is a sight to behold. It builds upon the foundation of what the previous games in the series had, but adds modern conveniences as well. It’s absolutely one of the best JRPGs released this year, if not one of the best titles in general.
The game starts off in familiar territory as the protagonist goes to school, only to have the entire city of Tokyo completely decimated shortly after. This is something that Shin Megami Tensei III Nocturne did, and the overworld map of Tokyo is quite similar to the one used in that game too. Basically, the protagonist is presented as an icon and you just move them around the map.
Thankfully, this is only in modern-day Tokyo. Once the game gets going in full force, the entire presentation of it shifts to open world exploration with fully realized 3D models, ruined buildings, and gorgeous landscapes. The exploration is incredibly similar to a game like Xenoblade Chronicles where you can traverse anywhere within the different zones.
Around every corner there are demons to fight, treasures to pick up, and collectibles to find. It reminds me of a Ubisoft game, given how many different icons there are on the map. However, the biggest difference between this game and something like Assassin’s Creed, is that it’s actually really fun to explore here. The different zones are just big enough to provide you with a sense of wonder and excitement, but not too big that you’re overwhelmed.
The verticality of these zones are seriously impressive. You can hop onto bridges, climb rocks, and scale toppled architecture. This type of exploration actually reminded me of something like The Last of Us when you walk through an abandoned parking garage or jump through a window and find a treasure or collectible. There’s so much to find and explore it’s just so incredibly thrilling.
While almost every other human is essentially dead in the ruined Tokyo, the demons populating the city make it feel alive. Some demons are patrolling certain areas and you can just make contact with them to enter a battle. There are also friendly demons that are just hanging out, such as a group I found in a building around a campfire just telling stories. Some even give you side quests.
Some side quests are fetch quests, but there are definitely more interesting ones scattered throughout. For example, you might come across a demon that wants you to get rid of another who is a cult leader. But if you talk to the cult leader, they’ll say they’re offering the followers hope in the desolate world. You then have the opportunity to turn against the original quest giver demon. Depending on whose side you choose, you’ll receive a new demon to your party, and it might be one that is at a higher level than you are. You’ll always earn items and gain EXP by completing quests, so they’re definitely worth doing.
As far as the story and characters go, Shin Megami Tensei doesn’t place as much emphasis on them compared to its sister franchise, Persona. Shin Megami Tensei focuses much more on the player’s choices. The various main characters represent certain moral choices, and choosing who to side with leads to different endings.
One particular aspect that I don’t think the game does very well is explain certain mechanics. The worst offender of this is how the moon phases work. In the game, there’s a pseudo day and night cycle in the form of moon phases. Demon negotiation is easier under a full moon and fusing demons together under a full moon will cause the new one to earn stat bonuses.
This part is glossed over and isn’t really provided in a more in depth tutorial, so you just kind of have to play on your own to figure this part out. There’s also no option in the menu to view past tutorials either.
The presentation of Shin Megami Tensei V is fantastic. The 3D graphics and animations are stunning, especially when showcasing the exclusive skills that the protagonist and some demons have. These skills are fully animated and unique to that specific demon; the cinematic nature of them are great to look at.
The music is amazing as well. I love how the normal encounter theme starts off somber, but then changes depending on your actions. If you attack, then it swells up. If you try to negotiate with a demon, the track slows down again. The boss themes also have the classic electrifying guitar riffs that the series is known for.
With a game this expansive and great looking, there are some caveats to its performance on Nintendo Switch, especially in handheld mode. For some reason when pulling up the menu, there’s a second or so delay and it feels sluggish. There are some framerate dips every once in a while, but it’s mostly smooth. Issues aside, it didn’t negatively affect my overall experience that much.
Although what really makes the game feel modern are the quality of life features. The mini map is a welcome addition to the open world exploration. My personal new feature is an item that you receive early on that lets you return to the last save point you interacted with at any time.
I had an amazing time with the game. It’s the ultimate entry in the series so far, keeping true to its roots while also adapting new modern features. The open world exploration really makes the game feel fresh and exciting like no other game in the series did before. Enthralling, fun, challenging, and gorgeous are all words I would use to describe Shin Megami Tensei V. It’s a true masterful JRPG.
Shin Megami Tensei V review code for Nintendo Switch provided by the publisher.
Shin Megami Tensei V is out November 12 on Nintendo Switch.
Reviews
‘The King Tide’: An Island Town Rots with Moral Decay in Canadian Folk Horror Fable [Review]
The opening scenes of director Christian Sparkes’ The King Tide set an ominous tone: a powerful storm takes down the power lines of a small island town as a pregnant woman loses her child while her dementia-suffering mother sits nearby. In the morning, as the town takes stock of the damage and the power is restored, a surprising discovery is found in an overturned boat in the harbour: a baby girl…with the ability to heal.
Writers Albert Shin and William Woods, working from a story by Kevin Coughlin and Ryan Grassby, treat the story as something of a morality tale mixed with a fable. Following the cold open, the action jumps ahead 10 years at a point when the unnamed island (the film was shot in Newfoundland, Canada) is thriving. The fishing is bountiful, the islanders are self-sufficient and have cut ties with the mainland, and most everyone is happy.
As characters are prone to saying, it’s all thanks to Isla (Alix West Lefler), the miracle baby who has grown up worshipped by the islanders. While Mayor Bobby Bentham (Clayne Crawford) and his wife Grace (Lara Jean Chorostecki) endeavor to raise Isla like any other little girl, the reality is that the island’s entire ecosystem revolves around her miraculous powers. It is only because of Isla that they survive; every aspect of their lives – from medicine to food – relies on her.
Each day the citizens line up for their allotted time with the young girl – be it to stave off breast cancer, like Charlotte (Kathryn Greenwood), or recover from another night of heavy drinking like former doctor, Beau (Aden Young). There’s even a predetermined schedule for when she will go out on the boats and use her power to lure fish into the nets.
One fateful day, Bobby succumbs to peer pressure and alters Isla’s schedule at the last minute to accompany cod fishermen Marlon (Michael Greyeyes) and Dillon (Ryan McDonald). A childish game with fatal consequences is played, but with Isla indisposed, a young boy, who would have otherwise been fine, dies. And while the rest of the community grieves, it is Isla who is completely shaken and, unexpectedly, loses her powers.
Suddenly the entire balance of the island is thrown off. Folks like Grace’s mother, Faye (Frances Fisher), who relied on Isla to keep her dementia at bay, suddenly reckon with mortality, while the food security of the town is called into question. Faye’s late-night “support group” meetings take on an urgent and secretive tone and the townspeople claim ownership of Isla’s time despite Bobby and Beau’s protests that she needs rest to recover from her trauma.
Like the best thrillers, the politics and personalities within the community come into play as morals are compromised and the good of individuals vs the collective is played out in increasingly desperate situations. The King Tide excels because it is interested in exploring the competing motivations of the townspeople, while also resolutely refusing to paint anyone as inherently good or bad. These are desperate people, determined to remain independent and free from outside interference, while protecting their trapped-in-amber way of life.
These developments work because there’s a humanity to the characters and The King Tide wisely relies heavily on its deep bench castoff character actors to drive the conflict. Crawford is the de facto protagonist of the ensemble and he’s also the most straightforward character: Bobby is a good man and a loving father, but he’s no white knight. At several points in the film, his willingness to acquiesce to the demands of the community and retain his power causes events to spiral further out of control.
Even more fascinating are Grace and Faye, two commanding women whose capacity for maternal love is matched – or eclipsed – by their own self-interests. A mid-film discovery about Isla’s power reframes Grace’s priorities, ultimately pitting her against her husband. As a result, Grace is incredibly compelling and frustrating (in a good way) and Chorostecki, who has done great genre work on both Hannibal to Chucky, plays the moral ambiguity exactly right. Grace is a fascinating and flawed human character in a film filled with them.
The same goes for Fisher, who deftly balances Faye’s grandmotherly love for Isla with the needs of the community and, by extension, her own health demands. In the hands of a lesser performer, it would be easy to hate Faye for her actions, but Fisher’s performance perfectly captures the fierce determination and fear that drives the island’s matriarch.
Finally, there’s Aden Young, The King Tide’s secret weapon. The ten-year jump reveals that Beau has undergone the most significant transformation: while everyone else has benefitted from Isla’s powers, her presence has eliminated the need for a doctor. With the clinic effectively shuttered, Beau has become an alcoholic; a shell of his former self with no purpose.
Like Bobby, Beau is the easiest character to root for because of his selfless desire to protect Isla, but Young (renowned for his work with Crawford on Rectify) unlocks the character’s tragic pathos and, in the process, becomes the film’s emotional anchor.
Framing the moral decline of the islanders and anticipating the unexpectedly devastating climax is the natural beauty of Newfoundland. As shot by cinematographer Mike McLaughlin, there’s a steely beauty to the geography, resplendent with rocky cliffs, pounding surf, and gusty bluffs that reinforce the islanders’ isolation.
There’s a fierce pride in their struggle to survive independently, evident in the simple lodgings and the antiquated alarm bell that is rung whenever fishing ships from the mainland stray too close. It’s a chilly, atmospheric calling card for one of the most picturesque provinces in Canada, but it is a perfect complement for the folk horror narrative.
Armed with serene, beautiful cinematography, murky moral developments, and a deep bench of talented character actors, The King Tide is a quiet gem that demands to be seen. It’s one of the year’s best genre films.
The King Tide is in theaters April 26, 2024.
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