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It’s the End of the World All Over Again in ‘The Last of Us Part II'[Safe Room Podcast]

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At its core, Naughty Dog’s The Last of Us Part II is an infected epic all about love.

Notable in more ways than one, the original game shined as an example of mature storytelling bolstered by personable characters you couldn’t help but be enamored with.

The Last of Us didn’t so much remind us of the potential of storytelling in games, as it redefined. This was an arduous task, one that The Last of Us Part II looked to expand on by increasing the narrative scope and tackling a bevy of new thematic and tonal elements.

Elements that we unpack in this week’s episode, in which Neil and I are once again joined by Newsweek’s gaming reporter and Bloody Disgusting contributor Harrison Abbott (@HarrisonAbbot13).

We discuss Naughty Dog’s divisive narrative direction, the importance of character relationships, expanding the TLoU’s world, the game’s relationship with violence from a narrative perspective, and the evolution of the infected’s morphology.

It all makes for a biting chat about one of the most memorable horror series ever.

Safe Room is a weekly horror video game discussion podcast, premiering on all major platforms every Monday. Feel free to browse our LinkTree for a complete list of services here.

Feel free to follow the show and hosts on Twitter:

Safe Room – @SafeRoomPod

Neil – @Nezzko

Jay – @NotFunnyJ

Podcasts

Sweeney Todd’s Bloody Path from Old Timey ‘Zine to the Screen [Guide to the Unknown]

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Maybe you haven’t thought about your good friend Sweeney Todd in a while, or maybe you have. The 2007 movie is a bit of a memory, though a fond one – it has a healthy 86% on Rotten Tomatoes, for what it’s worth. But 2023’s Broadway revival starring Josh Groban, who your mom thinks is “so talented” (she’s right!), was enough of a hit that its run was extended.

It appears we’re in a bit of a Sweeneyssaince.

For the uninitiated, Sweeney Todd is the story of a barber who kills his customers and disposes of the bodies by passing them off to pie shop owner Mrs. Lovett, who uses them as a special ingredient. But there’s more below the trap door.

Sweeney Todd isn’t just a late 70s musical that turned into a movie; it started as a penny dreadful called The String of Pearls: A Domestic Romance (author unknown), told week-to-week in the 1840s. Penny dreadfuls were essentially fiction zines featuring serialized stories that were usually horror-based and cost a penny, leading to the very literal nickname.

The String of Pearls differs from the more well-known Sweeney Todd plot in that it follows the investigation of a missing persons case that leads to the reveal of Sweeney and Mrs. Lovett’s arrangement, as opposed to the more modern iteration which treats audiences to the duo hatching their homicidal plan and then giving the worst haircuts ever. What a delightfully wild reveal that must have been if you were a reader in Victorian London after weeks of wondering what had become of the missing sailor carrying a string of pearls to deliver to a lovely girl.

Kristen and Will discuss the history and future of Sweeney Todd and works inspired by it this week on Guide to the Unknown. Subscribe on Apple PodcastsSpotify, or wherever you get your podcasts to get a new episode every Friday.

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