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A Definitive Ranking of the ‘Twisted Metal’ Video Games

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Twisted Metal ranking

A few decades ago, video games were cheap enough to produce that developers could afford to take some creative risks when coming up with new titles. This miraculous sweet spot between accessible technology and an expanding audience resulted in highly successful games with a lot more personality than what you typically see in the industry these days. Mostly unconstrained by corporate interests and soulless market research, this era before the rise of live-service titles and abusive DLC boasted some of the greatest gaming experiences of all time – and one of my personal favorites came in the form of Sony’s Twisted Metal Franchise.

With Twisted Metal finally being revived in the form of Peacock’s recently announced TV series (which features Samoa Joe as Sweet Tooth!), we thought that this would be the perfect time to look back on the iconic vehicular combat series with a definitive ranking of every main entry in the franchise.

While this list is obviously based on personal opinion, feel free to comment below with your own personal ranking if you disagree with our picks. Just keep in mind that we’ll be excluding a couple of spin-offs like 2002’s TM: Black Online and 2008’s TM Head On: Extra Twisted Edition for the sake of brevity.

Now, onto the list…


8. Twisted Metal 3 (1998)

Twisted Metal 3 is by no means a bad game, but there’s a reason why it (and its sequel) would later be retconned once David Jaffe and his team returned to the franchise. Developed by a new group of programmers who didn’t have access to the original games’ source code, TM 3 feels like a cheap cash-grab despite some legitimately impressive production value and an amazing soundtrack helmed by Rob Zombie and Pitchshifter.

The more advanced multiplayer was a plus (though you’d need a really big CRT to get the most out of the four-player split-screen), but that’s no substitute for engaging level design and sheer style. 989 Studios would eventually get another chance to please Twisted Metal fans with the vastly improved TM4, but TM3 will forever be remembered as the series’ lowest point.


7. Twisted Metal: Small Brawl (2001)

Originally called Twisted Metal Kids, Small Brawl can be summarized as “Mario Kart for demented children” and I absolutely love that idea. I actually don’t understand why so many fans immediately dismiss this title as an unworthy spin-off when it boasts some of the best car combat of the fifth console generation. If you ask me, the game gets a bad rap simply because it was released on aging hardware after Incognito Entertainment had already brought Calypso’s race to the PS2.

However, looking back on Small Brawl as a standalone title, you’re likely to find that the game is much more enjoyable than its watered-down premise would initially have you believe. The child-friendly re-imaginings of these vehicular murderers still have an ironic edge to their designs and the gameplay here is even more refined than in its predecessors despite a disappointing lack of violence.


6. Twisted Metal 4 (1999)

989 Studios’ second attempt at continuing the franchise without the original team backing them up, Twisted Metal 4 is a much better title than its predecessor (featuring improved level design, 3D physics and even more weapons), but it also holds a special place in my heart as the first TM game that I ever played.

Sure, the game’s still not up to the standards of David Jaffe’s productions, but there are worse demolition derby simulators out there. TM4 is also the only videogame that allows you to play as Rob Zombie himself (who’s obviously driving a low-polygon rendition of The Munsters’ iconic Dragula), and that alone makes it worth the price of admission.


5. Twisted Metal (1995)

The combat racer that started it all, there’s no understating the importance of SingleTrac’s first foray into vehicular madness. With the game boasting trailblazing 3D visuals and an edgy sense of style, there’s a reason that the title (and its sequels) would later be rereleased as some of the PlayStation’s Greatest Hits. Unfortunately, coming back to the original game today is a frustratingly antiquated experience.

Muddled graphics, confusing controls and an abysmal draw distance keep this three-dimensional pioneer from holding up nearly 30 years later, but you can’t really fault the game for being the first of its kind. In fact, I’d go so far as to recommend revisiting the title on an aging CRT television in order to enhance the game’s charmingly wobbly textures – but only if you can stomach the glaring difficulty spikes.


4. Twisted Metal: Head-On (2008)

While it’s a shame that third party developers never really embraced Sony’s first handheld console outside of Japan, the PSP actually boasts quite a few high-profile releases meant to legitimize portable gaming. One of the most underrated of these bite-sized projects is Twisted Metal: Head-On, a surprisingly innovative addition to the franchise that got lost in the shuffle of the console’s other launch titles.

Sure, the simplified graphics and limited resolution mean that things sometimes feel slightly cheaper than in Head On’s big budget counterparts, but that’s a small price to pay for the series’ first foray into online gaming – not to mention a surprisingly entertaining collection of maps and vehicles. That’s why it’s no surprise that this underrated TM classic would later be remastered with additional content for the PS2.


3. Twisted Metal 2 (1996)

Twisted Metal ranking peacock

When discussing the Twisted Metal franchise with friends, I’ve always compared the games to Sam Raimi’s Evil Dead films. Not necessarily because of the over-the-top violence (though both series definitely have that in common), but because the first entries of both franchises served more as a stepping stone for what came after.

Bigger, badder and easier on the eyes, Twisted Metal 2 is where Calypso’s contest really came into its own, boasting the first appearance of iconic racers like Axel and Shadow as well as greatly improved visuals. In some ways, you might consider the first game as a mere proof of concept for this ground-breaking title.


2. Twisted Metal: Black (2001)

Twisted Metal ranking games

Almost unanimously considered to be the peak of the Twisted Metal franchise, Black was a much-anticipated return to form during a time when rival vehicular combat games were running rampant. Featuring a brand-new coat of (black) paint and a kick-ass soundtrack to accompany the revamped gameplay, there’s a reason that this is remembered as one of the best games in the genre.

That being said, much of this praise is the result of fans wearing rose-colored glasses, as the game’s frustrating difficulty spikes and muddied visuals are kind of hard to come back to after more two decades of gaming. While there’s no denying that Twisted Metal: Black is a classic, I’d argue that it’s not quite the champion of the franchise.


1. Twisted Metal (2012)

Twisted Metal ranking video games

It may be a little unfair to compare PS1 and PS2 games to a title that had the benefit of decades of technological advancement (not to mention more experienced programmers and years of fan suggestions), but I firmly defend Eat Sleep Play’s 2012 reboot as the absolute smoothest entry in the franchise and the best one for newcomers to dive into.

The faction-based character selection and frustrating boss battles might not be to everyone’s liking (I still have nightmares about that final Sweet Tooth challenge), but the extremely polished driving and grindhouse-inspired presentation make this the definitive Twisted Metal experience – which makes it all the more tragic that the game remains trapped on 17-year-old hardware.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

'Rosemary's Baby' - Is Paramount's 'Apartment 7A' a Secret Remake?! [Exclusive]

The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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