Movies
‘Blumhouse Horrorverse’ Immersive Virtual Experience Launches on Meta Horizon
Blumhouse and Meta have have teamed up to launch Blumhouse Horrorverse, an immersive virtual horror experience in Meta Horizon.
Aimed to feel like stepping into a horror movie, the social space lets you experience the worlds of such films as M3GAN, The Purge, Wolf Man, The Black Phone, and Happy Death Day for minigames, activities, and more.
In the centerpiece Survival Lockdown game, players can throw a lever assigning everyone in the house a random role: victim or villain. As victims work together to locate missing keycards to end the lockdown, players assigned the villain role will embody Blumhouse characters like M3GAN, the Babyface Killer, and Lady Liberty to eliminate survivors before they can escape.
You can also hone your skills for Purge Night at The Purge practice range, score points in the Black Phone Balloon Hunt, and unleash your inner beast in Wolf Man’s Greenhouse Battle, plus watch exclusive Blumhouse content in the screening area.
“I’m thrilled to bring Blumhouse Horrorverse to life in Meta Horizon,” said Sarah Malkin, director of Reality Labs Entertainment Content at Meta. “This immersive experience lets horror fans interact with iconic Blumhouse movies and monsters. What excites me most is giving audiences more of what they love, and a platform to share their passion with others who feel the same way.”
“Blumhouse has always looked for new ways to bring fans closer to the stories they love,” said Karen Barragan, Blumhouse chief marketing officer. “Horrorverse is our most immersive experience yet — something that lets people step inside our worlds, connect with other horror fans, and even become the villain. With Meta, we’re not just pushing boundaries — we’re building a space where you don’t just experience horror — you exist inside it.”
Created by ARVORE and Monks, Blumhouse Horrorverse is available in Meta Horizon and on mobile.
Meta Quest’s other horror titles include Alien: Rogue Incursion, The Exorcist: Legion VR, Five Nights at Freddy’s: Help Wanted, Resident Evil 4 VR, The Walking Dead: Saints and Sinners, The Twilight Zone VR, and The Faceless Lady, among others.
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.
For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!
That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.
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