Movies
Kevin Smith’s ‘Tusk’ Trailer Is Here and It’s… #SDCC #WalrusYes
CRAZY.
“I don’t wanna die in Canada,” Long’s character whispers as he trembles in fear keeping hope that he’ll be saved. That’s the final shot of the impressive first trailer for Tusk, Kevin Smith’s toothy horror film about a man (Justin Long) who is surgically turned into a walrus by a mysterious seafarer (Michael Parks).
Fright night the San Diego Comic-Con hosted “The Musk of Tusk: An Evening With Kevin Smith,” which also featured stars Genesis Rodriguez and Haley Joel Osment on the panel. After the panel Smith revealed the trailer to the world. It’s dark, creepy, and surprisingly funny – but what I like is that the humor is in the situation and appears to be unforced. This is just a trailer, clearly, but I’m impressed. There’s a lot going on, and yet, we still haven’t seen Long transformed into a walrus. Saying this aloud, how the fuck does this movie exist? It reminds me of classic horror that was daring and didn’t give a shit. #WalrusYes
A24, who has been on fire as of late, is releasing The Human Centipede-inspired horror in theaters September 19, 2014.
Movies
‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller
Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.
B.J. Golnick (“Hunting Hitler”) will be directing Brine.
Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.
When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.
Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.
“Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.
“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”


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