Movies
New #SDCC Trailer From ‘The Maze Runner’ Hits Full Speed
20th Century Fox now released the Comic-Con trailer for The Maze Runner, based on the best-selling Young Adult novel by James Dashner.
The previously released trailer looks like a cross between Lord of the Flies, “Lost” and Hunger Games. I’m also intrigued by the tease of creatures outside of the gates…
“When Thomas (O’Brien) wakes up trapped in a massive maze with a group of other boys, he has no memory of the outside world other than strange dreams about a mysterious organization known as W.C.K.D. Only by piecing together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape. Based on the best-selling novel by James Dashner.”
Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Will Poulter and Aml Ameen star in the film, which is directed by Wes Ball.
Dashner has penned four entries in the “Maze Runner” series to date, with “The Scorch Trials” and “The Death Cure” serving as sequels and “The Kill Order” acting as a prequel.
The Maze Runner will open in the States on September 19, and in UK cinemas October 24.
Movies
‘Brine’ – Jennifer Holland Starring in Supernatural Civil War Thriller
Jennifer Holland (“Peacemaker”) and Dave Annable (“Lioness”) will lead the cast of upcoming supernatural Civil War thriller Brine, Deadline reports this afternoon.
B.J. Golnick (“Hunting Hitler”) will be directing Brine.
Brine follows a family of Confederate deserters who escape the Union bombardment of Fort Pulaski with a cache of stolen gold and disappear into the Georgia marshlands.
When they take refuge in a remote plantation house, what first appears to be salvation slowly reveals itself as part of something ancient, predatory and impossible to escape.
Jonah Wharton (Lioness), Sissy Sheridan (Chicken Girls), and Grayson Lay (Outer Banks) also star. The screenplay was written by B.J. Golnick and Jeremy Miller.
“Brine is a story about survival, but it is also a story about inheritance…The violence we pass down, the myths we create to justify it, and the cost of trying to break free,” Golnick previews.
“We intend for the film to feel intimate, historically grounded and deeply unnerving, as if the supernatural elements weren’t invented, but unearthed from the marsh itself.”
