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‘The Void’ Monsters Start Spluttering To Life

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After raising an astronomical $82,500 USD on Indiegogo solely to be used on the practical effects elements, The Void has begun making monsters for their feature film in Toronto.  Astron 6’s Steven Kostanski has been busy at work fabricating maquettes & casting the face of associate producer Brooklyn Boehme, who will be integrated into a key creature in the hellish hospital set movie.

Not to be called slack a new expansion of the award winning faux trailer BIO-COP has also been shot to extend the misery of the suicidal melting crime fighter abomination.  With a serious death wish & the promise of ninja stars the video with personalized fourth wall breaking shout outs will be delivered to those who picked up this perk by the end of June.  Some notable film festivals were seen to be taking out this level so expect to see it on the circuit or social media soon.

New BIO-COP New BIO-COP

If you missed out on the project while it was in crowd funding take a look at the concept trailer below to sample the atmosphere & terror that lurks in The Void.

To keep up to date with event in The Void “LIKE” the Facebook page & follow on Twitter + Instagram.

In the spirit of transparency I helped out with the crowd funding on the project & consider the film making team friends.

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‘A Man in the Woods With an Axe’ – First Look at ’80s Throwback Slasher [Exclusive]

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We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.

Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.

Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.

Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.

“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”

Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.

From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.

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