Movies
Netflix’s Neon-soaked ‘Mute’ Trailer Doesn’t Need Words
Not only are we getting “Altered Carbon” and David Bruckner’s The Ritual, but Netflix will release Moon director Duncan Jones‘ Mute on the streaming service February 23, 2018!
The film stars Alexander Skarsgård as a mute bartender who goes up against his city’s gangsters in an effort to find out what happened to his missing partner, and Netflix shared the first trailer that’s a neon-soaked dream.
Mute is set in the near-future where Leo (Alexander Skarsgård) is a bartender living in the pulsing city of Berlin. Because of a childhood accident, Leo lost the ability to speak and the only good thing in his life is his beautiful girlfriend Naadirah (Seyneb Saleh). When she vanishes without a trace, Leo’s search for her takes him deep into the city’s seedy underbelly. A pair of wise-cracking American surgeons (Paul Rudd and Justin Theroux) are the only recurring clue and Leo is forced to take on this teeming underworld in order to find his love.
Jones, the son of David Bowie, has become a filmmaker fav of the community, directing Moon, Source Code, and even Warcraft.
The Netflix original film is directed by Duncan Jones and written by Jones and Michael Robert Johnson. Stuart Fenegan serves as producer and Charles J.D. Schissel and Trevor Beattie serve as executive producers.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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