Movies
New ‘Suspiria’ Trailer Unleashes the Three Mothers for a Haunting Supernatural Nightmare
Darkness. Tears. Sighs.
After months of off-the-charts hype, the full trailer for the Luca Guadagnino-directed remake of Dario Argento’s Suspiria is finally here in all of its glory, coming in the wake of the teaser trailer back in June. This second trailer goes heavy on the idea of The Three Mothers, a welcome treat for hardcore Argento fans. Suspiria, Inferno and Mother of Tears are collectively known as Argento’s “Three Mothers Trilogy,” and it seems Guadagnino has infused all three into his Suspiria. He’s clearly a big fan, which is a major point of excitement for his vision.
Trailer #2 is also home to no shortage of haunting visuals and Kubrick’ian vibes, teasing feel and tone without showing *too much*. We also get a taste of THAT heavily hyped scene.
Looks like we may have a “Best of 2018” contender on our hands, eh? The film is now opening one week early on October 26 in NY and LA, expanding nationwide November 2.
In the new film…
“A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe’s artistic director (Swinton), an ambitious young dancer (Johnson), and a grieving psychotherapist (Ebersdorf). Some will succumb to the nightmare. Others will finally wake up.”
The cast includes Dakota Johnson, Chloe Grace-Moretz, Tilda Swinton, Mia Goth, Sylvie Testud, Renée Soutendijk, Angela Winkler, Małgosia Bela and Lutz Ebersdorf.
Radiohead’s Thom Yorke composed the score. David Kajganich wrote the film, co-financed by Amazon Studios and K Period Media.
Movies
‘Werewolf By Night 2’? Michael Giacchino Says It’s Being Talked About But “Everything Takes Forever”
It was Oscar-winning composer Michael Giacchino who sat in the director’s chair for Marvel’s Disney+ Halloween special Werewolf by Night back in 2022, which was released in both throwback black & white as well as full color. But are we ever getting a sequel?
Giacchino tells Screen Rant in a new chat this week that he remains hopeful.
“We’re talking about it,” Giacchino explains. “Everything takes forever to do. There’s a lot of planning that has to happen. Everything has to fit in a particular place at a particular time.”
He adds, “So, nothing moves as fast as we’d like it to. But I hope one day that you will be sitting there watching another Werewolf by Night. That’s my hope.”
Inspired by horror films of the ’30s and ’40s, Marvel Studios’ Werewolf by Night takes place on a dark and somber night as a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader.
In a strange memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Meagan Navarro wrote in her review for BD, “The MCU kicked the horror into overdrive with Werewolf by Night. The nearly hour-long feature presents as a classic horror movie, dropping viewers into the middle of a secret world of monster hunters. Film composer Michael Giacchino directs the special, penned by Heather Quinn and Peter Cameron. Giacchino focuses on evoking the classic horror vibe to assist in the initial worldbuilding. The events play out in monochrome, save for the vibrant red glow of the Bloodstone. Cigarette burns and film grain get added for that retro look. The rules of the hunt get relayed to the cutthroat candidates by way of reanimated dead, albeit in a much campier and family-friendly way via animatronics.”
“Aside from the aesthetics, Werewolf leans heavily into the mysterious,” Meagan continued. “The black and white cinematography more than sets the retro vibe; it allows the feature to remain accessible to a wider audience even as it lets its monsters and monster hunters spill plenty of blood. Toss in a Jack Pierce-inspired beast with practical application, and you’ve got a modern superhero story with a classic Universal Monsters makeover.”
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