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Watch This ‘Red Dead Redemption 2’ Supercut of Violence Set to the Tune of…the Can-Can?

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Red Dead Redemption 2 is storming the sales charts and has gained an insanely high amount of praise from critics (even if it’s been a rather more mixed affair for fans) and it’s high profile presence means there’s plenty of material wrung out of it in the forms of video clips, memes, and more.

One such example is J3unny’s supercut of protagonist Arthur Morgan punching, shooting, drinking, and dancing his way through the Old West with Jacques Offenbach’s “Infernal Galop” (aka the Can-Can song) played over the footage.

Very minor spoilers ahead for Red Dead Redemption 2.

It’s an entertaining two-minute showcase, and it’s also probably the quickest many Red Dead Redemption 2 players have seen the game move.

Red Dead Redemption 2 is out now on PS4 and Xbox One. Musical numbers optional.

Video Games

‘Texas Chain Saw Massacre’ Announces Level 99 Blackout Cosmetics Including ‘Oil Slick’ Chainsaw

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The team over at Gun Interactive has announced today that some fresh cosmetics are coming to The Texas Chain Saw Massacre video game, part of a free collection for Level 99 players.

Gun details, “We are excited to unveil our free Level 99 Blackout cosmetics on April 30th for both Family and Victims! If you’re already at level 99, the Blackout cosmetics will be automatically unlocked for you after the update. Thank you for spending so much time in Muerto County with us!”

Additionally, “For our Leatherface mains, you’ll be able to show off your skills with an all black chainsaw skin called Oil Slick.”

You can preview the chainsaw along with the Cook and Julie’s “Blackout” outfits below.

The Texas Chain Saw Massacre is available on Playstation®4, Playstation®5, Xbox One, Xbox Series X|S, PC via Steam and the Microsoft Store, as well as Game Pass on Xbox and PC.

The game features classic villains from the movies as well as new family members, and the events of the Chain Saw game take place *before* Tobe Hooper’s original classic.

Brandon Trush writes in his review for BD, “asymmetrical horror evolves to fit a terror classic.”

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